Schedule
301
Tour del Congreso: Paseo por Zaragoza
(Es necesario inscribirse al tour con antelación si quiere asistir al evento)
Sesión de bienvenida online (por Zoom)
Haga un click en el título para consultar el enlace de Zoom
Fotografía
Sesión asincrónica de acceso permanente
La imagen fotográfica en la cultura tecnológica: Creación de imágenes - La Casa Carnicero
Pedro Palleiro-Sánchez, Student, Programa de Doctorado en Bellas Artes, Universidad Complutense de Madrid, Madrid, Spain
Las portadas del The New Yorker y su función retórica para la construcción de discursos: Un análisis semiótico de las portadas de la revista, su vínculo con el arte y su posicionamiento sociocultural
Karen Carrera, Académica, Escuela de Diseño, Universidad Austral de Chile, Los Ríos, Chile
Carlos Brandt y la postal fotográfica: Vistas e imaginarios de Chile a través de sus ediciones (1900-1909)
Gian Palavecino, Student, Licenciado en Historia, Pontificia Universidad Católica de Valparaíso, Valparaíso, Chile
Re-existencias: Giro ontológico en la fotografía latinoamericana
Pamela Martínez Rod, Professor / Researcher, Visual Arts, Universitat de Barcelona UB / Universitat Oberta de Catalunya UOC, Spain
Mesa de inscripción abierta y Café de bienvenida
Universidad San Jorge (Centro de Zaragoza): Calle San Voto, 6-8 50003 Zaragoza, España
Imágenes iconográficas
Sesión asincrónica de acceso permanente
Espacios Escultóricos: Reconstrucción y análisis de una exposición a partir de sus imágenes y relatos
Rodrigo Bruna, Assistant Professor, Department of Theater, Universidad de Chile, Región Metropolitana de Santiago, Chile
Grafitis históricos: Una aproximación conceptual y metodológica desde la arqueología
Irene Agües Escolano, Investigadora en formación, Instituto Universitario de Investigación en Arqueología y Patrimonio Histórico (INAPH), Universidad de Alicante, Alicante, Spain
Transfotografía en el archivo de Orlando Fals Borda: Resonancias de las prácticas fotográficas no profesionales en la generación de la Investigación - Acción Participativa IAP
Norman Esteban Gil Reyes, Professor, Arts, Antonio Nariño University, Distrito Capital de Bogotá, Colombia
Transculturación en las monedas cristianas romanas: Persuasión a través de la imagen
Andres Perez Arredondo, Student, Graduado, Universidad de Granada, Granada, Spain
Filosofía y símbolo
Sesión asincrónica de acceso permanente
Los emblemas de castas de Joaquín Antonio de Basarás
Jair Jauregui Torres, Graduate Student, Department of Spanish and Portuguese, University of California, Berkeley, United States
Ontología curativa de la imagen: Una mirada al patrimonio inmaterial desde el símbolo del felino-chamán en el pueblo originario Diaguita de Chile
Óscar Andrés Pinto Nara, Student, Investigador pre-doctoral, Universidad de Barcelona, Spain
Léon Spilliaert, pintar la ausencia: El retrato como imagen del estado emocional
Zuleyma Guillén, Student, Dra., Universidad de La Laguna, Santa Cruz de Tenerife, Spain
Filosofía de la imagen, presencia y performatividad: El caso de los iconos en Evdokimov
Jonás Cuesta, Student, Master student / Estudiante de Máster, Universidad de Valladolid / UNED, Spain
Inauguración del Congreso
(El video de la Inauguración está disponible en la descripción)
Representaciones
Sesión asincrónica de acceso permanente
Fotolibro Artístico Mural Mosaico Colectivo de Pintura Infantil: Cuidemos el agua
Ramón Esteban Cárdenas Pérez, Docente-Artista visual, Departamento de Didáctica, Currículum y Evaluación, Escuela de Educación, Universidad de Concepción., Universidad de Concepción, Chile, Bío-Bío, Chile
El disparo en el simulacro: Desbordar la experiencia estética y salpicar lo real.
Nerea Arrojería, Student, PhD, Universitat de Barcelona, Barcelona, Spain
La imagen y el lenguaje: Su relación con la creación y perpetuación de estereotipos y prejuicios
Olga Hortas Aliaga, Student, Máster en Intervención Psicopedagógica, Universidad de Granada, Granada, Spain
El cuerpo y su representación : La imagen anatómica y su legado transformador
Andrés Jesús Naranjo Macías, Profesor Ayudante Doctor, Departamento de Dibujo, Universidad de Granada, Spain
La creación de imágenes en el Brasil colonial: Judíos y mamelucos
Maria Leonor García Da Cruz, Professora Auxiliar, History, Faculdade de Letras da Universidade de Lisboa (FLUL) / School of Arts and Humanities of the University of Lisbon, Lisboa, Portugal
Imágenes narrativas literarias y cinematográficas
Sesión asincrónica de acceso permanente
Penélope, un retrato incompleto
Joana Rodríguez Pérez, Contratada predoctoral, Departamento de Historia del Arte y Filosofía, Universidad de La Laguna, Spain
Pronunciamientos maternos de la identidad cuir en la producción audiovisual mexicana "Madre solo hay dos" (2022)
Rosana Blanco Cano, Associate Professor of Spanish, Modern Languages and Literatures, Trinity University, United States
Consolidación del arquetipo de la mujer masculinizada en la literatura de cordel: Gráfica impresa de los siglos XVl al XIX en Países Bajos, Alemania e Inglaterra
Celina Valdivia Sánchez, Student, Master, Universidad Complutense de Madrid, La Rioja, Spain
Realismo cinematográfico e indicialidad cinematográfica en el documental true crime del siglo XXI
Santiago López, Student, Magíster en Información y Comunicación, Universidad de la República, Uruguay
Artes y diseños
Sesión asincrónica de acceso permanente
La forma, el algoritmo del diseño: Deconstruyendo los fundamentos hacia las nuevas ecuaciones de los sistemas visuales
Adriana Paredes Martínez, Académica, Académica, Universidad Nacional Autónoma de México, Distrito Federal, Mexico
Biomas en Ciudades / Ciudades en Biomas
Helga Correa, Student, Dra, Universidade Federal de Santa Maria RS Brasil, Rio Grande do Sul, Brazil
Habilidades y competencias del diseñador para la creación en tiempos de IA : Como la IA redefine la imagen del diseñador
Silvia Caracuel Ponce, Doctoranda en Diseño y Comunicación, UVIC, Universidad Central de Cataluña, Barcelona, Spain
Herencia de la videocreación: Videoescena como audiovisual performativo para las artes escénicas
Ana Sedeño-Valdellos, Full Professor, Comunicacion audiovisual y Publicidad, University of Malaga, Spain
Órbitas angulares - Reimaginando el cubo: Aplicación de los principios de la fenomenología de la imaginación sobre la estructura formal-conceptual de las esculturas modulares en el siglo XX como nueva propuesta plástica Jes
Stefano Regosini, Student, Programa de Doctorado en Estudios Avanzados en Humanidades. Especialidades en: Historia, Arte, Filosofía y Ciencias de la Antigüedad por la Universidad de Málaga, UNIVERSIDAD DE MÁLAGA, Málaga, Spain
Jesus Marin-Clavijo, Profesor Titular de Escultura., Depatamento de Arte y Arquitectura, Universidad de Málaga, Málaga, Spain
Sesión plenaria (en inglés) - Cristina Pérez-Ordóñez "Creation of Music Festival Culture: The Role of the Images"
(El video de la Sesión plenaria está disponible en la descripción)
Sesión Plenaria (en inglés) - Mark Hall "A Ghost in the Machine: Re-mystification of the Photographic Image"
(El video de la Sesión plenaria está disponible en la descripción)
Mesa redonda "Tema destacado 2023—La imagen no nos representa, nos crea: La imagen y su poder transformador"
Universidad San Jorge (Centro de Zaragoza): Calle San Voto, 6-8
Cine, vídeo y fotografía
Universidad San Jorge (Centro de Zaragoza): Calle San Voto, 6-8
El cine de Terrence Malick: Entre lo pictórico y lo fílmico: lo háptico
Imma Riera, Student, PHD student, Universitat Politècnica de València, Valencia, Spain
Un espacio común para ejercer feminismos decoloniales : Manual de Videoarte Vertical
Sofia Sartori Dos Santos, Student, Artes Visuais, UNESP - Universidade Estadual Paulista "Júlio de Mesquita Filho", São Paulo, Brazil
Regilene Aparecida Sarzi Ribeiro, Permanent Doctor Professor , Postgraduate Program in Media and Technology, Universidade Estadual Paulista, São Paulo, Brazil
Los reportajes gráficos durante la Guerra Civil : Análisis e interpretación de las fotografías en prensa sobre el asedio del Alcázar de Toledo (1936)
Carlos Vega Hidalgo, Contrato predoctoral en formación UCM, Facultad de Documentación. Departamento de Biblioteconomía y Documentación , Universidad Complutense de Madrid, Madrid, Spain
Almuerzo
Restaurante "LaBuganvilla": Plaza de Ariño, 1 (a 2 min de la sede del Congreso)
Cultura y representaciones
Universidad San Jorge (Centro de Zaragoza): Calle San Voto, 6-8
Suto a tá akí (Aquí estamos): Prácticas culturales de familias palenqueras migrantes asentadas en la ciudad de Valledupar (Colombia)
Josimar Roa Marriaga, DOCENTE, BELLAS ARTES, UNIVERSIDAD POPULAR DEL CESAR, Colombia
Brayan Davian Ospino, Student, Licenciatura en arte, folclore y cultura, Universidad Popular de Cesar , Colombia
Julio Andrés Cárdenas Peña
La importancia de la imagen como ilustradora, transformadora y animadora para la alfabetización: Aproximación a la revista “Armas y letras”.
Manuela Catalá Pérez, teacher and researcher, Faculty of Communication and Social Sciences, Universidad San Jorge, Zaragoza, Spain
Sesión plenaria (en español) - Nekane Parejo "Retratar el paisaje: el poder de la imagen"
(El video de la Sesión plenaria está disponible en la descripción)
Inauguración: Exposición Pop-Up del Congreso sobre la Imagen
Patio de la sede del Congreso
Cena del Congreso
Dirección: Plaza Aragón, 12
Visita al Centro de la Imagen
Punto de encuentro: Calle de Miguel Servet, 3, 50002 Zaragoza
Sesión plenaria (en español) - Araceli Rodríguez Mateos "Retrato y construcción del sujeto en el siglo XIX"
(El video de la Sesión plenaria está disponible en la descripción)
Almuerzo
Restaurante "LaBuganvilla": Plaza de Ariño, 1 (a 2 min de la Sede del Congreso)
Visualidad
Universidad San Jorge (Centro de Zaragoza): Calle San Voto, 6-8
De los estímulos sensoriales a la representación visual: Una exploración sistemática para diseñadores en formación
María Del Carmen Razo Aguilar, Coordinadora de la Licenciatura en Diseño Gráfico, Facultad de Diseño, Universidad Anáhuac México, Distrito Federal, Mexico
Codiseño de infografías accesibles: Modelo de creación, pedagogía y accesibilidad
Jaime Enrique Cortés Fandiño, Proffessor and Researcher, Visual Communication, Minuto de Dios University, Distrito Capital de Bogotá, Colombia
Imágenes de espacios sociales
Universidad San Jorge (Centro de Zaragoza): Calle San Voto, 6-8
Evaluación de la imagen organizacional en las marcas de un centro comercial : Imagen organizacional
Nelson Figueroa Mendoza, Docente Investigador, Facultad Ciencias Económicas, Administrativas y Contables, Universidad del Sinú, Córdoba, Colombia
Ciudad Universitaria de México a 70 años de su inauguración (1954-2024): Imágenes de Armando Salas Portugal y Saúl Molina
Paulina Michel, Responsable de la sección de organización y descripción, Archivo Histórico, Universidad Nacional Autónoma de México, Distrito Federal, Mexico
La imagen de los museos locales en su entorno territorial e histórico
Carlos Campelo Gaínza, Historia del arte, Universidad de Zaragoza, Spain
Registro de un efímero mural: Espacio, memoria e hiperculturalidad en torno al mosaico "Haruka & Michiru"
Joaquín Vargas, Student, Doctor (c) en Estudios Americanos. , Instituto de Estudios Avanzados, Universidad de Santiago de Chile. , Región Metropolitana de Santiago, Chile
Clausura del Congreso
Universidad San Jorge (Centro de Zaragoza): Calle San Voto, 6-8
Mesa Redonda Online (en español) por Zoom
(Haga click en el título para consultar el enlace de Zoom)
On The Image: Pop-Up Exhibition
Images Do Not Represent Us, They Create Us: The Image and its Transforming Power
Zaragoza Walking Tour - 14 November
Sign Up Via the Special Events Tab
Online Welcome and Training Session
Zoom Link Available in the Session Description
Online Only Workshop - "Seeing is Believing: The Increasing Impetus for Visual Literacy in the Digital Revolution"
Zoom Link Available in the Session Description
Conference Registration and Welcome Coffee
University of San Jorge (Venue in the city centre): Calle San Voto, 6-8 50003 Zaragoza, Spain
Poster Session
Asynchronous Session
Homography: Liminal Space
John Post, Student, PhD, Ulster University, United Kingdom
The Metaphorical Dehumanization of Political Actors in Cartoons
Damian Rivers, Professor, School of Systems Information Science, Future University Hakodate, Hokkaido, Japan
Workshop
Asynchronous Session
Seeing is Believing: The Increasing Impetus for Visual Literacy in the Digital Revolution
Olivia A Carye Hallstein, Student, Urban and Environmental Policy and Planning , Tufts University, United States
Emerging Identities
Asynchronous Session
Avatars and Self-fashioning: The Metaverse and Negotiation of Identity
James Hutson, Department Head, Art History and Visual Culture, Lindenwood University, Missouri, United States
Nomadic Texts: Migrant Texts in Translation and the Visual Arts
Shakir Mustafa, Professor, World Languages Center, Northeastern University, New Hampshire, United States
Memes For Future: How New Generations Shape Climate Change Debate on Social Media
Lucia Casiraghi, PhD Candidate, French and Italian, Indiana University, Indiana, United States
Multiple Drawing Functions in Equivalence Classes
Dean Reid, Student, PhD Researcher, Ulster University, United Kingdom
Conference Opening
(The Video of the Opening is Available in the Description)
Pondering Production
Asynchronous Session
Re-imagining Space, Time and Belonging: Visualising Henri Lefebvre’s Trialectic Space through Creative Practice
Clive Barstow, Professor of Art, Arts and Humanities, Edith Cowan University, Western Australia, Australia
Performativity and Intersemiotic Translation in Contemporary Art: The Case of Hong Kong Atlas
Zoran Poposki, Assistant Professor, Department of Cultural and Creative Arts, The Education University of Hong Kong, Hong Kong
Marija Todorova, Research Assistant Professor, TIIS, Hong Kong Baptist University, Hong Kong
Compositing the Body: Ethics of Mediation Among Professional Photographic Retouchers
Matthew Raj Webb, Student, PhD Candidate, Department of Anthropology (Culture & Media), New York University, NY, United States
Augmented Reality and Cyborgean Pedagogies of Hope and Agency: Nature and Culture in Garden/Gallery Spaces
Ellen Moll, Interim Assistant Dean of Undergraduate Studies, College of Arts and Letters, Michigan State University, Michigan, United States
Field Notes: Reframing Colonial Photography from the Philippines
Jason Reblando, Assistant Professor, Wonsook Kim School of Art, Illinois State University, Illinois, United States
Seeing Ourselves
Asynchronous Session
Feeling, Thinking, Not Seeing the Image: How Images Engage Us in an Information-saturated World
Thomas Marotta, Lecturer, Creative Industries, University of Technology Sydney (UTS College), New South Wales, Australia
Hannah Höch, Robert Rauschenberg, and David Hockney: Photographic Dualism in Constructing and Thwarting Reality
Alisdair Lochlin MacRae, Instructor, School of Industrial Design, Carleton University, Ontario, Canada
Dames, Death, and Depravity in Film Noir: What Must Stories, Dialogue, and Characters Have to Qualify as Noir?
Jenean Mc Brearty, Instructor, Military Education Programs, Kentucky, United States
Cognitive Image of Sound
Gregorio De Gregoris, Research Fellow, Interpreting and Translation (DIT), Center for Transversal Studies on Theatre and Interculturality, University of Bolonia, Forlì, Italy
Water Systems 1.0: Generative Drawings as a Means to be Aware of Our Environments
Concha García González, Professor, Drawing and Engraving, Complutense University, Madrid, Madrid, Spain
Diverse Representations
Asynchronous Session
We Missed the Mark: A History of Racism and Racialization in Photography and Its Impact on Contemporary Representations of Diversity
Laura Franz, Professor, Art + Design, University of Massachusetts Dartmouth, Massachusetts, United States
The Semantics of the Image in the Art Works of Omani Artists
Najlaa Al Saadi, Assistant Professor, Art Education, Sultan Qaboos University, Masqat, Oman
Extended Reality in European Academic Institutions: Interdisciplinary Research in European Extended Reality Labs
Adnan Hadzi, Associate Professor, Departement of Digital Arts, University of Malta, Msida, Malta
Overexposed and Happy: The Role of Fashion Images in the Self-presentation Practices of Young Women
Ambrogia Cereda, Adjunct professor, Political Science/Sociology, Università Cattolica del Sacro Cuore Milan, Italy
Film and Emotional Contagion: Audiencing, Witnessing, and Performing the Lingua Franca of Compassion
Rosalie Fisher, Communication Instructor, Hugh Downs School of Human Communication, Arizona State University, Arizona, United States
Plenary Session - Cristina Pérez-Ordóñez "Creation of Music Festival Culture: The Role of the Images"
(The Video of the Plenary Session is Available in the Description)
Plenary Session - Mark Hall "A Ghost in the Machine: Re-mystification of the Photographic Image"
(The Video of the Plenary Session is Available in the Description)
Innovation Showcases
Asynchronous Session
Dots, Lines, and Screentones: The Manganization and Application of 3D Software in Comic Art
Saral Surakul, Associate Professor, Lamar Dodd School of Art, The University of Georgia, Georgia, United States
Images in Legal Contracts: The Potential of Visual Contracts, for Children and Beyond
Camilla Andersen, Professor, Law, University of Western Australia, Western Australia, Australia
Reflecting on Time and Space
Asynchronous Session
Image, Time, Message, and the Spectator
Francisco Mesquita, Teacher, FCHS (Faculdade de Ciências Humans e Sociais), Fernando Pessoa Univertity, Aveiro, Portugal
Photographs – Their Evidential Power Beyond Content: How Archive Photographs Re-enter Our Lives in Meaningful Ways
Greg Leach, Student, PhD, Manchester Metropolitan University, Manchester, United Kingdom
Pastoral Pacifism: Terrence Malick’s "A Hidden Life", the Sublime, and the Shadow of Kierkegaard
William Quade, Student, PhD Candidate, University of Wisconsin-Madison, Wisconsin, United States
The Devouring Feline and the Overpowered Cultural Other: Fighting Images Cast in Metal from the Late Bronze Age and Early Iron Age of China
Peng Peng, Assistant Professor, Faculty of Arts, Chinese University of Hong Kong, Hong Kong
Modern Pandora's Boxes: The Photo Camera and the Duality Between Progress and Barbarism in the Construction of History
Joao Pedro de Azevedo Machado Mota, Student, PhD, Universidade de São Paulo, São Paulo, Brazil
Changing Cinematic Image: The Representation of Belfast After the Good Friday Agreement
Ece Sila Bora, Student, PhD Candidate, Queen's University of Belfast, Belfast, United Kingdom
Iconic Growth
Asynchronous Session
The Evolution of the Statue of Liberty: Determining Factors for Hypericon Status
Salvatore Alaimo, Associate Professor, School of Public, Nonprofit and Health Administration, Grand Valley State University, Michigan, United States
Classical Myth, Renaissance Interpretation, and Contemporary Art: Women Artists and Botticelli’s Birth of Venus
Dena Gilby, Walter J. Manninen Endowded Chair for Art History, Fine Art, Endicott College, Massachusetts, United States
Class Construction and Feminine Identities in the Weimar Republic: The New Woman as Angestellten in August Sander's People of the Twentieth-Century
Stephanie Bender, Assistant Professor, Humanities/Literature and Language, Chipola College, Florida, United States
Colors of K-pop: Its Palette of History and Chromatic Power
Minhyoung Kim, Associate Professor, Hankuk University of Foreign Studies, South Korea
From Engraving to Cartoons - the Influence of William Hogarth's Art: To Drink or not to Drink? To Eat or not to Eat?
Paula Rama Da Silva, Lecturer, Languages and Humanities, Estoril Higher Institute for Tourism and Hotel Studies / CEAUL - University of Lisbon, Lisboa, Portugal
Talking Circle - Theme 1: The Form of the Image // Theme 2: Image Work
University of San Jorge (Venue in the city centre): Calle San Voto, 6-8 50003 Zaragoza, Spain
Talking Circle - Theme 3: The Image in Society
University of San Jorge (Venue in the city centre): Calle San Voto, 6-8 50003 Zaragoza, Spain
Talking Circle - "2023 Special Focus—Images Do Not Represent Us, They Create Us: The Image and its Transforming Power"
University of San Jorge (Venue in the city centre): Calle San Voto, 6-8 50003 Zaragoza, Spain
Social Elements
University of San Jorge (Venue in the city centre): Calle San Voto, 6-8 50003 Zaragoza, Spain
'To Find One before Whom We May Speak': The Image of a Maya God
D. Bryan Schaeffer, Assistant Professor of Art History, Art History, Kendall College of Art & Design, Michigan, United States
The Birth of the English Literary Symbol
Samuel Bozoukov, Student, PhD, Harvard, Massachusetts, United States
Outside the Frame: The Formal Qualities of Humanism and the Rights of Nature
Ann Pegelow Kaplan, Associate Professor, Department of Interdisciplinary Studies, Appalachian State University, North Carolina, United States
Expressions and Implications
University of San Jorge (Venue in the city centre): Calle San Voto, 6-8 50003 Zaragoza, Spain
Image-Works: An Exhibition Study Comparing the Perception and Appreciation of Physical Artworks and Digital Images of Them
Johan Wagemans, Professor, Brain and Cognition, University of Leuven, Vlaams Brabant (nl), Belgium
The Original Image in Pascal Quignard’s Terrasse à Rome: Thinking in Image with Quignard through Mezzotint Art
Shima Sahranavard, Student, Ph.D., University of Minnesota, Minnesota, United States
The Three-Cornered Hat´s Jota: Methodological approaches to analyze the image of Spain in ballet
Gonzalo Preciado Azanza, Research Fellow, Department of Art History, University of Zaragoza, Zaragoza, Spain
Views and Viewpoints
University of San Jorge (Venue in the city centre): Calle San Voto, 6-8 50003 Zaragoza, Spain
The High Malar Beauty and the Photograph: How Twentieth Century Photographic Aesthetic Skewed our Sense of Beauty
David Julian Cubby, Adjunct Fellow, School of Humanities and Communication Arts, Western Sydney University, New South Wales, Australia
Which Pixels Does Absence Deserve?: Traces of Absence and the Aftermath of Unfinished Conflicts
Alexander Gümbel, Profesor Asistente, Design Department, Universidad de los Andes, Distrito Capital de Bogotá, Colombia
Federico Jaramillo, Faculty of Social Sciences, Universidad de los Andes, Distrito Capital de Bogotá, Colombia
Steadicam and Neurocinematics: Images and the Neural Motor Cortex
David Vanden Bossche, Dissertator/Instructor, Film Studies, University of Wisconsin-Madison, Wisconsin, United States
Lunch
Restaurant "LaBuganvilla": Plaza de Ariño, 1 (2-min walk from the Conference venue)
Educational Insights
University of San Jorge (Venue in the city centre): Calle San Voto, 6-8 50003 Zaragoza, Spain
Study of Publishing Patterns in Visual Literacy and Education
Corinne Kennedy, Design Library Coordinator, MSU Libraries, Mississippi State University, Mississippi, United States
The Power of the Image: Transforming Educational Practices
Siu Challons-Lipton, Executive Director and Professor of Art History, Department of Art, Design and Music, Queens Univeristy of Charlotte, North Carolina, United States
Cross-cultural Interventions to Address Visual Plagiarism: A Collaborative Pedagogical Case Study
Corinne Kennedy, Design Library Coordinator, MSU Libraries, Mississippi State University, Mississippi, United States
Lisa Winstanley, Assistant Professor, School of Art Design and Media, Nanyang Technological University, Singapore
Cultural Considerations
University of San Jorge (Venue in the city centre): Calle San Voto, 6-8 50003 Zaragoza, Spain
Unmasking Cultural Factors: Exploring the Role of Visual Communication and Context in Western Resistance to Mask Wearing during the COVID Pandemic
Suki Kwon, Professor, Art and Design, University of Dayton, Ohio, United States
Art Infusion in Advertising and Its Effect on Brand Image
Elif Esiyok, Vice Dean, Business School, Atilim University, Turkey
Mainstreaming Modesty: Commodifying the ‘Islamic’ in Fashion
Sabah Uddin, Assistant Professor, Language, Literature, and Cultural Studies, Bowie State University, Maryland, United States
Seeing Ourselves
University of San Jorge (Venue in the city centre): Calle San Voto, 6-8 50003 Zaragoza, Spain
Selfie Aesthetics in the Global South: Exploring Production, Propagation, and Consumption of Digitally Enhanced Self-Portraits
Sujith Gopinathan, Assistant Professor, Fashion Communication, National Institute of Fashion Technology, Andhra Pradesh, India
Paradoxes of an Image: A Pictorial or Postsecular Turn?
Vaiva Daraškevičiūtė, Associate Professor, Institute of Philosophy, Vilnius University, Lithuania
The Director Who Exists with Images: Metin Erksan Example of Sevmek Zamani
H. Hale Künüçen, Professor, Department of Radio-TV and Cinema, Faculty of Communication, Baskent University, Ankara, Turkey
Nur Yankı Köksal, MA Student, Baskent University
Plenary Session (In Spanish) - Nekane Parejo "Retratar el paisaje: el poder de la imagen"
(The Video of the Plenary Session is Available in the Description)
Transition Break
University of San Jorge (Venue in the city centre): Calle San Voto, 6-8 50003 Zaragoza, Spain
Workshop
University of San Jorge (Venue in the city centre): Calle San Voto, 6-8 50003 Zaragoza, Spain
Mark-making Experiences: Drawing as Data, Methodology, and Pedagogy
Tracey Bowen, Professor, Teaching Stream, Institute of Communication, Culture, Information & Technology, University of Toronto Mississauga, Ontario, Canada
Workshop
University of San Jorge (Venue in the city centre): Calle San Voto, 6-8 50003 Zaragoza, Spain
The Meditative State of Transformative Drawings - Musically Influenced Imagery: Forms of the Subconscious
Sandee Chamberlain, Assistant Professor of Animation and Illustration | Coordinator of Digital Animation, School of Art and Design, Kennesaw State University, Georgia, United States
Workshop
University of San Jorge (Venue in the city centre): Calle San Voto, 6-8 50003 Zaragoza, Spain
Mark-making Experiences: Drawing as Data, Methodology, and Pedagogy
Tracey Bowen, Professor, Teaching Stream, Institute of Communication, Culture, Information & Technology, University of Toronto Mississauga, Ontario, Canada
Opening: The Image Conference Pop-Up Exhibition
Conference Dinner: Novodabo Restaurant
Location: Plaza Aragón, 12
Visit to the Image Center
Meeting Point: C. de Miguel Servet, 3, 50002 Zaragoza
Implications of Technology
University of San Jorge (Venue in the city centre) Calle San Voto, 6-8 50003 Zaragoza, Spain
How and Where Do Images of an AI Become Significant in Societies?
Andreas Schelske, Professor, Institute for Media Economics and Journalism / Department Management, Information, Technology, Jade University of Applied Sciences, Niedersachsen, Germany
Interrogating ‘Street Photography’ as a Cultural Practice, a Visual Data Source, and a Sociological Research Strategy
Luc Pauwels, Emeritus Professor of Visual Sociology and Anthropology, Communication Studies, University of Antwerp, Antwerpen (nl), Belgium
Difficulties Copyright Images Must Face Due to New Technologies: The Interaction Between Artificial Intelligence and Intellectual Property
Claudia Ribeiro Pereira Nunes, Student, PhD, Universidad Complutense de Madrid, Madrid, Spain
Rafael Ribeiro Gonçalves, Student, Communication Science, Portuguese Catholic University (Universidade Católica Portuguesa), Lisboa, Portugal
Emerging Perspectives
University of San Jorge (Venue in the city centre) Calle San Voto, 6-8 50003 Zaragoza, Spain
From Viewpoint-centric Vision to Pictorial Vision: Brain Mechanisms, Evolution, and Relevance to Observational Depiction
Leon Lou, Associate Professor, Psychology, Grand Valley State University, Michigan, United States
I Was a Teenage Photographer: The Vernacular Polaroid Image "Feed" in Pearl Jam's "No Code"
Michael Sell, Associate Professor of Art, Art, Eastern Oregon University, Oregon, United States
Our Vivid Imaginations
Preconscious Ocular Aesthetics: Returning to a Fictitious Point in the Photography’s History through an Experimental Arts Practice
Michael Gray, Lecturer, Photography, Curtin Universtiy, Western Australia, Australia
Art in the Home: A Photographic Series Documenting the Cultural Display of Artwork within Domestic Spaces
Sarah Mc Adam, Dean of the School of Arts, Humanities and Social Sciences, Arts, Humanities and Social Sciences, Plymouth Marjon University, Devon, United Kingdom
Plenary Session (In Spanish) - Araceli Rodríguez Mateos "Retrato y construcción del sujeto en el siglo XIX"
(The Video of the Plenary Session is Available in the Description)
Lunch
Restaurant "LaBuganvilla": Plaza de Ariño, 1 (2-min walk from the Conference venue)
Workshop "Innovations in Inclusive Community Exhibits"
Innovations in Inclusive Community Exhibits
Nancy C DeJoy, Associate Professor, Writing, Rhetoric and American Cultures, Michigan State University, Michigan, United States
Fatima Konare, Student, M.A Writing and Rhetoric, Michigan State University, Michigan, United States
Kelsey Abner, Student/Research Assistant, Writing, Rhetoric and American Cultures, Michigan State University, Michigan, United States
Benjamin Lash, Student, MA, Michigan State University, Michigan, United States
Image Creating
University of San Jorge (Venue in the city centre) Calle San Voto, 6-8 50003 Zaragoza, Spain
Inspiration Porn: How (Mis)representation of Disability in the Media Sidetracks the Discussion and Invites Stereotypes
Christopher Karadjov, Associate Professor, Journalism and Public Relations, California State University, Long Beach, California, United States
The Role of Media in Creating Images between European and Arabs
Prof. Hanan Youssef, Dean , College of Language and communication , Arab Academy for Science, Technology & Maritime Transport, Smart Village Campus, Al Qahirah, Egypt
Poster Session
University of San Jorge (Venue in the city centre) Calle San Voto, 6-8 50003 Zaragoza, Spain
Season's Greetings: Celebrating Diversity at Christmas - Practice-led PhD Research Project
Carol Ryder, Senior Lecturer, Fashion, Liverpool John Moores University, United Kingdom
Photo Based Social Media: The Relationship Between Deliberate Alteration, Self-Esteem, Social Comparison, and Appearance Motivation
Megan Nagle, Student, Bachelor of Science in Psychology (May 2023), Stevenson University, Maryland, United States
Richard Metzger, Retired, Psychology, Stevenson University, Maryland, United States
Colleen Spada, Associate Professor, Clinical Psychology, Stevenson University, Maryland, United States
Insights from AI Heatmaps for High and Low Creative Drawings
Andrew Johnson, Professor, Psychology, Park University, Missouri, United States
Danielle Whitfield, Park University
Representation of Unconscious Images: Photographs of the Landscape, a Metaphor for the Mind
Susan Leigh Moore, Professor, Fine Arts Department, Indiana University South Bend, Indiana, United States
Evolving Representations
University of San Jorge (Venue in the city centre) Calle San Voto, 6-8 50003 Zaragoza, Spain
Olfactory Interpolations: The Politics of Representation and the Ecstacy of the Industrial Domestic
Mark Harrison, Senior Lecturer, Indiana University, Indiana University, Indiana, United States
Non-aseptic Images: The Representation of Poor Health Services in the Brazilian Television Series Under Pressure
Mariana Schwartz, Student, PhD Candidate, Beira Interior University, Castelo Branco, Portugal
Representation of Adivasis in Indian Cinema and the Rise of Indigenous Filmmakers in the Chotanagpur Region of India
Sneha Mundari, Associate Faculty, Design Foundation Studies, National Institute of Design, Gujarat, India
The Allure of Visual Mash-ups : An Art Historical Framing for the Use of Incongruous Styles within Single Artworks or Narratives and a Rationale for What Makes the Spider-verse So Exciting
Jesse Thompson, Assistant Professor, Foundations/Drawing/Artistic Electives, Nanyang Technological University, South West, Singapore
Powerful Elements
University of San Jorge (Venue in the city centre) Calle San Voto, 6-8 50003 Zaragoza, Spain
On Negative Space: Photo, Performance, and Phenomenology
Hannah Wilder, Student, Visual Studies, Bard at Simon's Rock, Massachusetts, United States
Image and Body: Critical Analysis of the Art Work of Brazilian Artist Juliana Notari
Lilian Soares, Professor, School of Fine Art - Design, Federal University of Rio de Janeiro, Rio de Janeiro, Brazil
Analyzing Images of Kinky Sex Lives in Exploitation Cinema
Kylo-Patrick Hart, Professor and Chair, Film, Television and Digtial Media, Texas Christian University, United States
Tantric Urbanism: Piercing the Pictures We Inhabit
Pieterjan Ginckels, Assistant Professor, Department of Architecture, KU Leuven, Belgium
