Abstract

Although misunderstood and reviled at the time, Robert Frank’s ‘The Americans’, published in 1958 in France and in 1959 in the United States, has since emerged as a seminal work documenting the developing culture of America. Central to the impact and success of the work is Frank’s recognition and presentation of significant symbols which define the emerging civilisation. These include filling stations, diners, juke boxes and, perhaps most eloquently presented, the automobile. Frank images cars which are present at conception, which serve as nannies and childhood friends, cars which facilitate romance, are the seat of great endeavours and the objects of worship, cars which perpetrate murder and become the conduits and memorials of the dead. The notion of a life lived ‘On the Road’ is not unique to Frank, reflecting, rather, an allegory of life’s journey and the pursuit of paradise on earth widely expressed and examined in near contemporary culture. Jack Kerouac’s classic novel, along with F. Scott Fitzgerald’s ‘The Great Gatsby’, films such as ‘Of Mice and Men’ and ‘The Grapes of Wrath’, alongside ‘Rebel Without a Cause’ and ‘The Wild Ones’, and experimental and innovative music from John Coltrane, Charlie Parker and Woody Guthrie all enfold Frank’s series of pictures. The parallels with the works of painters such as Jasper Johns and Willem de Kooning, who was Frank’s neighbour for a time, are also evident.This presentation will examine Frank’s photographs in the context of contemporary and near contemporary culture, society and politics.