Abstract
In this essay, the author argues that the images of outer space as metaphors for possibility enables practitioners and viewers of art and design to build social awareness and develop affective technologies for post-conflict resolution. In what ways have outer-space oriented art projects developed over the past twenty years and how can the creation of these new access points in visual culture promote critical discussion in a given public? Whose voices are represented? Rather than using cosmology and outer space science as a way to imagine the future of our species on another planet, assist outer space programs with visualizing or giving form to their projects, or creating work intended to captivate an audience, the analyzed imagery offers unique methods of engaging with publics by investigating aspects of production, agency, and power, drawing connections between the search for interpersonal resonance and the struggle to find it within a neoliberal system. Concepts of otherness are examined in the context of how outer space is constructed on Earth through visual culture, creating access points for people to reframe societal trauma and reward a public in order to promote the resistance of a mindset geared towards personal, as opposed to mutual, gain.
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
KEYWORDS
Arts, Communities, Media, Communications, Viewers, Interpretation, Outer Space, Visual Culture