Schedule
115
What Pictures Know that Online Reality Does Not
Andreas Schelske, Professor, Institute for Media Economics and Journalism / Department Management, Information, Technology, Jade University of Applied Sciences, Niedersachsen, Germany
Properties and Effects: Getting Clear about Resemblances
Jim Hamlyn, Established Member, IDEAS Research Institute
Symmetry and Power: Visualization of Power Dynamics in Cinema
Suki Kwon, Professor, Art and Design, University of Dayton, Ohio, United States
Ways of Wondering: Storytelling in a Double 360 ° Degree Context
Sofie Gielis, Docent - PhD, PXL-MAD, PXL / UHasselt, Belgium
Patrick Ceyssens, Student, Docent Image Analysis, University Hasselt & PXL-MAD School of Arts, Limburg (nl), Belgium
Mirrors and Patterns: Reflections on Creative Practice
Kurt Espersen-Peters, Assistant Professor, Interior Design, University of Manitoba, Manitoba, Canada
Still Photography a Distant Memory
David Julian Cubby, Adjunct Fellow, School of Humanities and Communication Arts, Western Sydney University, New South Wales, Australia
When a Man Holds a Baby: Exploring the Pictorial Relationship of Men Cradling Infants in Iconography and Film
Kenneth DiMaggio, Professor of Humanities, Capital Community College, District of Columbia, United States
City of the Spectacle and Urban Détournement: The Image as a Contested Site within Capitalist-Urbanism
Amy Melia, Sessional Lecturer, Liverpool School of Art and Design (LSAD), Liverpool John Moores University (LJMU), United Kingdom
The Visual Representation of the Holocaust in Israeli Schoolbooks
Nurit Elhanan-Peled, Lecturer, Hebrew Language, Communication, David Yellin Academic College, Israel
Image-ning the Emotive Power of the Poetic Word: Multi-Layered, Multi-Faceted Images as Pathways for Understanding Our Singular and Collective Lives
Samantha Earley, Professor, English, Indiana University Southeast, Indiana, United States
Nancy C DeJoy, Associate Professor, Writing, Rhetoric and American Cultures, Michigan State University, Michigan, United States
The Tridea Project: Leveraging Artificial Intelligence to Facilitate International, Collaborative, Image Production and Consumption
Lisa Winstanley, Assistant Professor, School of Art Design and Media, Nanyang Technological University, Singapore
Craftowne: Image and Text in the Gallery Setting
Billy Simms, Western Center Coordinator, The Western Program (Individualized Studies), Miami University, Ohio, United States
Between the Averted Gaze and the Male Gaze: Asghar Farhadi’s Women in the Context of Feminist World Cinema
Dilyana Mincheva
Niloofar Hooman, Communication Studies and Multimedia, McMaster University
Architecture of the Print
Rebecca Howard, Early Career Academic in Creative Industries, University of Derby, United Kingdom
Fictional Internal Space: Truth and Fiction Imbedded in the Photographic Process
Susan Leigh Moore, Professor, Fine Arts Department, Indiana University South Bend, Indiana, United States
Passages II: Lost and Found Images of Contemporary Crisis Migrants
Ann Pegelow Kaplan, Associate Professor, Department of Interdisciplinary Studies, Appalachian State University, North Carolina, United States
The Role of the Art in a Post-truth Society : The Visual Image in the Midst of the Crisis of the Veridiction Contract
Mei-Hsin Chen, Professor, ISSA School of Applied Management and School of Architecture, University of Navarra, Navarra, Spain
Agora(s): Spaces for Approaching an Idea of Visual Territory around the Cauca Corridor
Seber Ugarte Calleja, Director del Grado en Gastronomía y Artes Culinarias, Facultad de Creación y Hábitat, Pontificia universidad Javeriana Cali, Valle del Cauca, Colombia
Eduardo José Castro Zúñíga, Teacher, Arte y Diseño, Institución Universitaria Colegio Mayor del Cauca, Cauca, Colombia
Digital Arts on the British Waterways
Adnan Hadzi, Associate Professor, Departement of Digital Arts, University of Malta, Msida, Malta
Transformative Learning through Creative Literacy: Pedagogies for the Visual in Innovative Learning
Siu Challons-Lipton, Executive Director and Professor of Art History, Department of Art, Design and Music, Queens Univeristy of Charlotte, North Carolina, United States
Best Practices in Visual Arts: Using Images in Your Projects, Papers, and Presentations
Corinne Kennedy, Design Library Coordinator, MSU Libraries, Mississippi State University, Mississippi, United States
The Amazon: Graphic Visuality, Poetic and Imaginary
Celia Kinuko Matsunaga Higawa, Associate Professor, Faculty of Communication, University of Brasilia, Distrito Federal, Brazil
It's Not Gay, It's Art : Pedro Almodóvar and the Commercial Art Cinema Auteur
Thomas Macpherson, Student, PhD, UW Madison, United States
Moving Image as a Pre-Show Teaser: Heightening Anticipation and Immersion in Pop and Rock Concerts
Logan Peter Austin, Senior Lecturuer, School of Art & Design, Auckland University of Technology, New Zealand
