Design Principles and Practices
Dwinita LarasatiKarna Mustaqim’s Shares
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Penelitian Atas Penelitian Seni dan Desain: Suatu Studi Kerangka Filosofis-Paradigmatis Bagi Penelitian Seni dan Desain Visual
This paper discusses philosophical framework of practice-based artistic research within the field of art and design in contrast with research in the natural and social science. It is stated that paradigm of artistic inquiry is ilustrated with the role of practicioner as researcher wherein subjectivity, involvement and reflexivity are acknowledged, while (k)nowledge is negotiated – inter-subjective, context bound, and is a result of personal construction. Visual objects have been exhausting large amount of our physical and emotional energy in seeing it which certainly gives them a central role in contemporary ages. It is suggested that research could become part of the needs for experience, to inspire, or to collectively develop a profession.
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drawing perform’s: An Artistic research
The determination of academic research on the field of the arts education troubling its own artistic practices. It was assumed by clarifying the objective and method of doing the research, art was believed would be contributing to a greater intellectualisation, otherwise it is just an art practice without justification from science, and therefore no contribution worth to human knowledge. Since it contrastive to the nature of artistic practice embodied in the arts itself, which unfortunately not even realize by the artist his/herself.
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THE ART OF DRAWING ASEMIC WRITING
Writing has never been more exicting than before, although the asemic writing that emerges has to be understood as the amorphous form of any common alphabetical writings. The excitement is even greater when we pretend to be challenged by the ability to read asemic writing as if it were mere ordinary writings. It looks like written in an alien languages, seems like meaningless doodling, a bunch of scribble kind of handwriting yet scrawled without concrete representational meaning or might be composed by any random and various abstract lines with no intentional meaning attached on it.
