Abstract
This research is interested in the role that museums play in the cultural diplomacy of the Arab States of the Gulf. Mainly, because these museums can, at the same time, project the image of modern states, maintaining cultural symbols and creating a narrative that meets national interests. It is not clear, though how such museums will develop the role of cultural mediators of identities. The study therefore, also investigates the fusion of Arab and Western art influences cultural identity by incorporating Western techniques and perspectives into Arab themes, which can lead to a sense of cultural colonialism, a fear of losing traditional Arab identity, and a blurring of cultural divisions. In this sense, the choice of collections on display in the Arabian Gulf museums, as well as the design of their buildings, also creates a narrative and demonstrates the intention of these monarchies to rewrite their history and awaken national and/or international affections. In the project, mega museums come closer to this role by using their constructed image to transmit symbols of the culture of these countries and using their collections to create a narrative that aims to stitch together the national identity of a heterogeneous society. The importance of representation is clearly emphasized. Forms of representation contribute to the exercise of power and the modeling of colonial relations.
Presenters
Marcello Cappucci FrisoniProfessor, Institute of International Relations, Pontifical Catholic University of Rio de Janeiro, Rio de Janeiro, Brazil
Details
Presentation Type
Theme
KEYWORDS
MEGA MUSEUMS, CULTURAL DIPLOMACY, IDENTITY, ARABIAN GULF
Digital Media
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