Abstract
This article explores the case of the Covid Art Museum (CAM) as an unprecedented investigation, regarding the first museum in the world in 100% digital format created by artists from all over the world in the midst of the Covid-19 pandemic. The foundation of the study lies in (1) originality, as it is the first research on the subject, and (2) the topicality of the subject, since it is a project created in a pandemic and continues to be developed. The methodology of the research work follows several phases, carrying out an analysis of headlines regarding the museum based on pre-determined parameters, a graphic study of the logo, a review of the expansion of the museum beyond the digital and, finally, an analysis of the artistic typologies of contemplated works. It is concluded that the museum constitutes a platform for emerging artists and, also, for the society that seeks to stay close to new expressions of art.
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
2024 Special Focus—Intersectionality: Museums, Inclusion, and SDGs
KEYWORDS
Digital trends in the world of culture and the arts
Digital Media
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