Abstract
Drawing on theoretical constructs of collective memory, postmemory, and cultural trauma (Hirsch, 1997; Halbwachs, 1992), this study employs a visual autoethnographic analysis to explore the transformative power of family photographs as cultural artifacts within the museum space. Specifically, it delves into the integral role of both public and private archives in shaping collective memory and the transmission of generational trauma. The results illustrates the unparalleled ability personal visual images to construct a shared collective past, commonly known as collective memory, and highlights the ways in which collective memory shapes the mechanisms and transmission of generational trauma.The analytic findings emphasize the importance of preserving family photographs as public cultural artifacts to be collectively experienced within museum space. The paper highlights the crucial role of museums as a physical space for reimagining and transforming identity and collective memory, promoting inclusivity and empathy by creating a shared public space where diverse narratives can be represented. By recognizing the role of artifacts in shaping personal and collective memory and identity, museums can create more meaningful and inclusive experiences for all visitors. Ultimately, this study makes a significant contribution to the larger sociological inquiry into the impact of generational trauma and the importance of preserving personal and public archives of family photographs. It calls for exhibitions of visual ethnographic work that can make linkages across disciplinary, geographic, and cultural boundaries to promote empathy, inclusivity and community across generations.
Presenters
Josephine BarnettAdjunct Lecturer, Sociology and Data Analysis, Queens College CUNY, New York, United States
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
2023 Special Focus—Museum Transformations: Pathways to Community Engagement
KEYWORDS
Archives, Museum, Family Photographs, Collective Memory, Generational Trauma, Visual Autoethnography
