Abstract
Polish Spisz is a multicultural border region characterized primarily by Polishness, but with Slovak, Hungarian, German, Ruthenian, Romani and Jewish elements. Since the beginning of the political changes of the end of the 20th century, the region has been experiencing a cultural revival, inspired by local social elites (teachers, officials, activists, the business world), but also by external experts (ethnographers, historians, musicologists, choreographers). In this cultural borderland, it also leads to disputes about heritage, its resources or ways of using them for the benefit of the region. The aforementioned experts play an important role, in particular ethnographers, ethnologists, and folklorists, who act as arbitrators deciding on the value and usefulness of specific cultural content, products and practices. Their influence often means imposing choices from the resources of the regional cultural heritage. In the light of postcolonial studies, it is possible to indicate the colonial nature of their activity in the field of cultural policy, simply showing the ways of practicing the regional culture. Moreover, some local elites (activists, animators) are involved in this process. This type of symbolic violence meets with resistance “from below” of some region’s activists and inhabitants who do not accept the values, forms and cultural content arranged by professionals into the form of classical kastom. They reject treating their own heritage in the form of an unchanging, staged fossil and promote an attitude of creativity, independence, agency of local cultural practices and forms of creativity not constrained by an oppressive kastom scenario.
Presenters
Janusz BarańskiProfessor, Institute of Ethnology and Cultural Anthropology, Jagiellonian University, Poland
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
KEYWORDS
Diversity, Culture, Region, Ethnicity, Education
