Abstract
The museum, as we have seen since the middle of the 20th century went from conserving, collecting, and researching to generating knowledge to the function of educating and communicating interactively. The objective of this work is the compilation and analysis of the opinion of the spectators in relation to their urban environment through the design of an interactive instrument that allows to identify their perception based on seven principles that integrate the correlation of similarities between biological systems and urban. All human action is motivated by a principle of the will to life. To comply with this concept, they are grouped into seven categories through a graphic strategy with the intention of providing greater visual understanding and communicating more easily to the audience. The curatorship of the project allows the creation of an installation that makes visible the forces and relationships of the different social spaces where the viewer interacts in a didactic way, which allows users to have a better idea of the main problems that their city presents. Museographic production is achieved from the interdisciplinary intersection between concepts from different areas, apparently far from each other, but which find multiple convergences for new ways of interpreting and intervening reality with an integral, biological and social impact. In the results of the statistical analysis there are differences in the perception of urban principles with statistical significance, which allows to reinforce that the populations identify the principles exposed in the museum production.
Presenters
Ana Cristina Garcia-Luna RomeroProfesora e investigadora titular del Departamento de Arquitectura , Arquitectura y Ciencias del Hábitat, Universidad de Monterrey, Nuevo León, Mexico Maria Guadalupe Moreno
Maestro investigador , Escuela de Medicina , Universidad de Monterrey, Mexico, Nuevo León, Mexico
Details
Presentation Type
Theme
KEYWORDS
Interactive Museography, Urban Principles, Visitors
