Tenth International Conference on The Image

Abstract

The photographic image is both a form of fiction and a reference to the real. The camera image depicts a representation of the subject. Currently, in my studio practice, I am building that subject, architectural maquettes from paper mat board. I use artificial lighting to create space and depth in the models and then photograph using digital equipment. In these minimalist images of empty places, the quality of light becomes the visual grounding for the paper structures. A narrative emerges as light defines the physical characteristics of the space, and implies a metaphor for experience and life. The process of making and photographing models of spaces, real and imaginary is of particular relevance in contemporary culture where the veracity of images is continually in question. Throughout the history of photography, the artist has explored these issues. Alongside my creative practices, my scholarly work includes research into artists such as Lori Nix, Thomas Demand, and James Casebere. With this work, I will make a visual and aesthetic comparison grounded in the history of photography.