Information, Medium & Society: Twentieth International Conference on Publishing Studies

Abstract

This study analyzes a contemporary Indian film - Filmistaan (2012) as it explores the role of cinema in the transference and dissemination of memories, histories as well as any attached nostalgia. It views cinema as an integral witness to the major sociopolitical, cultural and historical developments taking place within a nation. The film takes a look at the shared historical frictions between India and Pakistan through the shared attachment for Indian Cinema prevalent among people in both countries. The research studies cinema as a memory and nostalgia text by drawing from the memory research perspectives of scholars – Alison Landsberg and her study of prosthetic memories, along with Pamela Cook and her understanding of cinematic nostalgia. Both these perspectives in addition to others create a strong theoretical foundation for this presentation. This analysis explores cinema as a strong cross-cultural medium with the capacity to breach and breakthrough national and international boundaries. The attraction of cinema enhances its scope as a powerful and influential force. The ability of this medium to transcend political boundaries as well as voice dissent artistically has manifold future implications. This paper attempts to understand these multidimensional facets of this medium. In addition it contributes towards encouraging academic interest and study of Indian cinema on a global level.