Abstract
Adorno saw art as the photographic negative of real-world knowledge: Art can not only reflect the social system and its system of meaning it also acts within this reality as an irritant, which produces an indirect kind of knowledge, he thought. The desire for understanding begins the “interpretive cycle.” Each element in a text is understood as a whole, it is understood as a set consisting of all its elements. This interpretive movement is part of a complex process, which produces a literary “form” thought De Man. By eclipsing this “cycle” of interpretation for the unity of the text, it helps us to maintain a blindness, which could proportionally produce a picture of our relationship with the multifaceted experience of digital work. The present paper explores the required requisites for the possibility of a digital art work to unveil our post-modern gaze towards an understanding of our modern being.
Presenters
Georgia TouliatouAssistant Professor, Interior Architecture, University of West Attica, Attiki, Greece
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
KEYWORDS
NON-NARRATIVE CONTENT, NARRATIVE CONTENT, DIGITAL ART-WORK, HYBRID ENVIRONMENTS, ARCHIVE
