Abstract
Instrumental music of the theater has, historically been omnipresent through iconographic evidence, scholarly references and, although not as prevalent, musical notation and practices. This showcase will reflect upon the history of 16th century instrumental music in theater. Also, the author will present this instrumental literature utilized to celebrate the literary works in which they have been presented. And finally, this musical literature will be provided as a repertoire that directors, actors, educators; musicians can utilize to innovate their classes and lectures, productions, and performances. Early music of the theater, albeit plentiful in reference and performance, it is scant in extant manuscripts and more specifically, notation. Being more of an oral tradition, conclusions certainly can be drawn as to specifics in performance practice with the careful study and examination of theater programs, documents and musical references within the theatrical works, themselves. Whereas the idea of using music to aid in celebrations is certainly commonplace, assigning and utilizing specific pieces in theatrical works is a formidable task that is worthy endeavor as well as a remarkable journey. Utilizing the repertoire to innovate Music found in the early theater and presented within institutions of higher learning can an innovative mission on the part of scholars, musicians and theater directors. Not only does the discovery innovate creativity, but the repertoire discovered and performed presents all involved with an innovative production that is historically accurate, inspired and good.
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Theme
KEYWORDS
Theater, Music, Performance, Instrumental, Accompanying, Drama, Stage Music, Chamber Music,Theoretical
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