Writing ‘whiteness’

This paper interrogates the dramatic representation of white Afrikaner identity in two post-apartheid South African texts: Athol Fugard’s play, “Sorrows and Rejoicings” (2002) and Jason Xenopolous’ film, “Promised Land” (2002). Race, as one element of identity construction, has been a problematic ar...

The International Journal of the Arts in Society: Annual Review

Common Ground Research Networks