Visual Slippages between the Picture Plane and the Painting Surface

This article focuses on a particular visual slippage that may occur at the point where the picture plane and the painting surface might intersect in Richard Estes’ “Double Self Portrait.” Firstly, I draw on one specific scopic regime, Cartesian perspectivalism, and, in particular, Leon Battista Albe...

The International Journal of the Arts in Society: Annual Review

Common Ground Research Networks