Traces of Feathers: Multiplicity, Intersubjectivity, and Transcendence in Cecilia Paredes’ Flight Series

Drawing upon an Andean Indigenous and anticolonial feminist framework, this paper explores notions of intersubjectivity and the Other as represented in Cecilia Paredes’ “Flight Series.” Paredes, a contemporary Peruvian artist, challenges and unhinges boundaries that separate culture and nature, ther...

The International Journal of Arts Theory and History

Common Ground Research Networks