The Subversion of Master’s Defining Power in Toni Morrison’s “Beloved”

Incorporated in Toni Morrison’s creative enterprise to portray the unendurable life of slaves and to articulate their age-stifled voice in “Beloved” (1987) is the picture she draws of the ruthless slave-holder named Schoolteacher. This callous concurrent holder of power and subject of knowledge, who...

The International Journal of Literary Humanities

Common Ground Research Networks