The Ontological Collapse of Meaning and the Architecture of Boredom in Roman Senchin’s "Minus"

The collapse of the Soviet Union in 1991 and the dissolution of its ideological framework generated a profound crisis of orientation for individuals whose identities had been shaped by collectivist modes of existence. This article offers a new reading of Minus by the Siberian novelist Roman Senchin...

The International Journal of Critical Cultural Studies

Common Ground Research Networks