The Humanistic Discourse in I Will Marry When I Want and The Black Hermit

This article examines how cultural identity is portrayed and challenged in The Black Hermit (1962) by Ngũgĩ wa Thiong’o and I Will Marry When I Want (1982), co-authored with Ngũgĩ wa Mirii. It argues that the plays critique Western modernity as a continuation of colonial influence that undermines Ke...

The International Journal of Critical Cultural Studies

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