Originality, Experientiality and Experientism

This essay examines the concepts of originality and experientiality in film and compares Alfred Hitchcock’s Psycho (1960) and Gus Van Sant’s homonymous shot-for-shot remake (1998) to argue for a change of paradigms from post-modernism to experientism. I seek to deconstruct the attributed importance...

The International Journal of the Image

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