Nostalgia, Collective Memory, and Palestinian Identity

This study examined how Susan Abulhawa’s Mornings in Jenin employs nostalgia and collective memory as narrative devices in constructing Palestinian identity and deconstructing dominant historical narratives. It drew on the postcolonial framework, merging Svetlana Boym’s typology of nostalgia, Edward...

The International Journal of Critical Cultural Studies

Common Ground Research Networks