Marginalization as Use: Race & Gender in the Work of Yoko Ono

In this paper, I trace the moments in Yoko Ono's career during the 1960's that were born of her positioning as a double other, both woman and Japanese. Rather than suppressing that marginality, I set out how Ono confronts and utilizes it in her work. Her work has consistently spoken to the place of...

The International Journal of the Arts in Society: Annual Review

Common Ground Research Networks