Marcel Duchamp, Rrose Selavy, and Gender Performativity

Rrose Selavy first appeared in New York in 1920 as the author of Duchamp's sculpture, "Fresh Widow." A so-called alter ego of Duchamp, Selavy has emerged from obscurity over the past decade primarily for what she tells us of Duchamp. As such, she can be seen as the more avant-garde of the two artist...

The International Journal of the Arts in Society: Annual Review

Common Ground Research Networks