From The Scream to Hello Kitty

When Harlan Ellison penned his celebrated sci-fi horror fiction “I have no mouth, and I must scream,” (1967) the notion of mouthlessness entered contemporary culture as an ultimate posthuman cri de coeur – that is, as an image of a silenced trauma that cannot be expressed or effaced. Seemingly writi...

The International Journal of the Image

Common Ground Research Networks