Fragmented Voices of Survival

This article examines how lyric fragmentation in Safiya Sinclair’s How to Say Babylon (2023) and Nadia Owusu’s Aftershocks (2021) functions as a feminist, postcolonial method. It asks how non-linear montage, strategic silence, and recurring motifs redistribute narrative authority and protect opacity...

The International Journal of Literary Humanities

Common Ground Research Networks