Discussing the Relationship between Sound and Image

Guy Debord challenged our consumption of images as pertaining to the "Society of the Spectacle." Hence, in his film "Hurlements en faveur de Sade" (1952) there are no images, other than a white screen or a black screen, the former as visual backdrop to an audio track expressing Debord’s "situationis...

The International Journal of New Media, Technology and the Arts

Common Ground Research Networks