Being In the World: Milk, Pollen, Rice and Wax

In his introduction to Wolfgang Laib’s Retrospective Catalogue Klaus Ottmann posits that Laib, “an artist who deliberately defies classification,” might best be approached phenomenologically (Ottman 12). Ottman goes further to claim that experiencing Laib’s installation pieces, which utilize pollen...

The International Journal of the Arts in Society: Annual Review

Common Ground Research Networks