Eleventh International Conference on The Inclusive Museum

Abstract

During the last decade, the evolved agency of the artist and the efficacy of art interventions within the urban landscape has been significantly debated in response to the fields of cultural policy, artistic practice, and academic discourses, highlighting how those within these fields acknowledge the evolving interactions between practitioners and their publics within the post-museum context. Through the theoretical criticism of empirical case studies, this paper foregrounds the participants within the transmission from art programming to public art in a manner that considers the processes contained within this transmission and their dissemination into production as the continuous loop of a public art intervention that is concerned with the ideals surrounding the post-museum and post-autonomous.