Abstract
The aim of this study is to analyze a very coherent nucleus of photographs by Nuno Matos, where the common denominators pass through the body of the freed woman or the subject, who hides/shows in a work of “chiaroscuro”, or rather, in an evocative dimness, which appeals to the memory of desire, whose reconstruction is merely pointed out. Additionally, this paper shows a reflection of Nuno Matos influences on pandemic days, where the photographer explores shadows and light on the image perception of the woman’s body.
Presenters
Paulo Morais-AlexandrePolitécnico de Lisboa Vanda Maria dos Santos Nascimento
Politécnico de Lisboa
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
KEYWORDS
Photography, Woman Body, Image, Light
Digital Media
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