Abstract
Architectural visualization is an illustration communicating design intentions and ideas. The conventional illustration style stems from Western paintings depicting accurate perspective, lighting, and shading, while Asian art influences are rare. The author discusses his new illustration style, blending Western and Eastern arts through manual rendering, digital imaging, and advanced 3D software. The study focuses on composition, perception, and colors based on Sumi ink painting and Ukiyo-e prints as the primary influences. The process begins with the image orientation that echoes a scroll or folding screen, resulting in a longer format. Both Sumi ink and Ukiyo-e are ink-based; the author blends manually inked components with digital elements to achieve the desired fluidity. The built environments are computer-generated in 3D software to contrast with the flatness and oblique projections of East Asian paintings. The emphasis of the composition is the use of positive and negative spaces to complement the narrative. The landscape elements, such as mountains, water, and clouds, are more abstract and symbolic than realistic. When using Sumi ink as a source of inspiration, color palettes are more desaturated, while colors become vibrant when using Ukiyo-e as a reference. The final paper and scratch textures are composited digitally to give the impression of realistic media.
Presenters
Saral SurakulAssociate Professor, Lamar Dodd School of Art, The University of Georgia, Georgia, United States
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
KEYWORDS
VISUALIZATION, IMAGE TECHNIQUES, DIGITAL CAPTURE AND MANIPULATION OF IMAGES
