Abstract
This paper explores the fandom culture of the tv series “The 100,” a post-apocalyptic science fiction drama. An ethnographic study of this fandom provides insights on the importance of fandoms on identity, culture, and active media consumption. The study closely follows the final season of The 100 building up to the series finale and the long-awaited return of Lexa, a beloved LGBTQ character who fell victim to the “bury your gays” trope in 2016. Through the theoretical frameworks of pop culture, participatory culture, self-categorization, and social identity, this paper demonstrates how fandoms can create spaces of belonging and empowerment through social media platforms. Online communities become spaces where fans can express themselves freely, share a meaningful identity within the fandom, and—in cases such as “The 100”—have a direct impact on the outcome of the show. Although the series has ended, the impact of the fandom remains a powerful reminder of the importance of representation in the media.
Presenters
Jessilyn GaleProfessor, Communication Studies/English, Cosumnes River College, California, United States
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
KEYWORDS
Popular Culture, LGBTQ, Representation, Identities, Audience, Media, Social Media