Narrative Function of Public Meeting Places in Uzalo Soap Opera

Abstract

Soap opera narrative creates a sense of community. Uzalo is a South African local soap opera television series. It is unique because Uzalo tells the story of black people and their everyday struggle centered in KwaMashu township community, which is an excellent example of how moving image culture has contributed in portraying township community that was once marginalized by the apartheid regime in a contemporary South Africa. While soap opera importance and promotion of social change and behaviours have been extensively studied throughout history, little research has examined the importance of space and place in its narrative. This study aims to explore the conventional community space and place, the core elements that drive soap opera narrative. By means of qualitative content analysis, the study investigates the construction of public meeting places in Uzalo, using purposive sampling technique to collect data by choosing episodes. The result indicates that characters convergence in public meeting places in soap opera creates disequilibrium which drives the narrative; reveals that construction of public meeting place is an important way of creating a minimum of homogeneousness among disparate characters, gives a sense of unified experience drawing on the notion of the particular characteristics or attitude generated from such place. The result shows that the use of camera angles, movements, editing, music and usual tricks (mise-en-scene) applied in narrative setting functions as a guide for viewers comprehension of emotional responses of the story and to connect with the space in which the narrative is set.

Details

Presentation Type

Paper Presentation in a Themed Session

Theme

Media Theory

KEYWORDS

Film, Media

Digital Media

This presenter hasn’t added media.
Request media and follow this presentation.