Third International Conference on Tourism & Leisure Studies

Abstract

In this paper I will examine the evolution of the network of flamenco venues (both formal and informal) in Madrid, Spain from the later years of the Franco dictatorship through the more recent economic crisis, tracing shifts in audience (tourist versus locals) and kinds of outlets (formal performance venues versus informal community gathering spots) for what these shifts reveal about both preservation of performing arts communities and influence of tourism. Especially in the wake of cuts in arts funding, tourism represents the largest economic support base for working flamenco artists in Madrid with tablao performances and instruction in flamenco schools as two primary sources of income. However, Madrid houses various professional and semi-professional levels of flamenco artists, who represent a distinct portion not only of the music and dance communities but of the art community in general of the city. In addition to the arts community, other groups like local residents, property owners, and municipal authorities often come into conflict over the urban spaces utilized in tourist related industries. I will also point to the distinct different tourist groups targeted by flamenco venues and propose potential compromises between catering to perceived tourist desires and local community needs.