On-Screen Literature: Teaching Literary Works through Cinema in the Foreign Language Classroom

Abstract

This paper demonstrates the intellectual imperative of studying the Humanities by sharing strategies for teaching literacy and cultural competency in the foreign language classroom. This demonstration explains ways to empower students to learn inclusivity and growth inside the classroom and apply it to their daily lives. To do this, I explore three French films in which canonical texts play a primary role. First, I introduce Alceste à bicyclette (2013) as an example of Molière and the importance of rhythm, intonation, and pronunciation in French language, as well as introducing students to socio-cultural norms. Second, I discuss another work from the XVIIe with the documentary Nous, Princesses de Clèves (2011), where students gain an understanding of the pressures involved in Baccalaureate preparation and challenges faced by multi-cultural communities. The third film, La tête en friche (2010), is a paradigm of how literacy enriches individuals’ lives and their connections to the community. Finally, I conclude by showing how the films presented provide multiple opportunities for secondary and post-secondary courses to deepen students’ knowledge of French literature, phonetics, and cultural references through a multi-faceted analysis of different scholastics regimes. The intention is to help students inside and outside the classroom by teaching the importance of cultural context, inclusivity, and interconnectivity.

Presenters

Mary Alison Chanslor Cransac
Upper School French Instructor, World Language, Isidore Newman School, Louisiana, United States

Details

Presentation Type

Paper Presentation in a Themed Session

Theme

Literary Humanities

KEYWORDS

Cinema, Multiculturalism, Literacy, Empathy, Phonetics

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