Abstract
Bridging the East and the West, this paper aims to demonstrate the interconnectedness of the Middle East, specifically Persia, and Ireland through the lens of imagology in James Joyce’s ouvre. By pursuing a narrative of the true Irish origin within the Orient, Joyce positions his work as broadly against the British imperialism and in favour of Irish nationalism.
Presenters
Hamid FarahmandianPostdoctoral Fellow, Foreign Languages , Sun Yat-sen University, China Sahra Hamdollahi
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
KEYWORDS
James Joyce, Persia, Imagology, Irish literature
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