Nineteenth International Conference on New Directions in the Humanities

Abstract

The reception theory restored attention to the reader as the core of the components and made it an essential axis in the literary process. It is placed as the most important axis in receiving texts and producing meaning. If the interest of the reader is shared by all receiving theorists, then (Youss) has relied on the concepts and origins on which he based his theory of the aesthetic of receiving, and through these concepts he considered procedural tools to receive creative works. Vaius naturally produced his theory before the revolution of technology in which the reader was receiving paper work, to what extent can I employ some of the Jyasian procedural tools on creative work in the online world? I rely on tracking the methodology of Yus in this study and employ one of the creative works on the blue screen, which is the work of the Saudi poet Jassim Al-Sahih on Twitter, trying to answer the problematic question: Is creative criticism in the blue screen different from printed paper criticism, and if we consider that the online world in the technology world produces cash, is this criticism worthy of being called a serious scientific criticism? This paper seeks to crystallize the theory of receiving creative works in the online world, touching hypothetical readers, and trying to set the first reading of some of the works of the poet “Jassim Al-Sahih”.