Creating with Machines: An Algorithmic-organic Perspective on Art and Design

Abstract

Semi-autonomous computational systems, such as machine learning, have long been doing the heavy lifting for us in terms of taking the burden of calculation away from the human brain. Yet, while there is a wide range of engineering literature about computational creativity, there is much less emanating from the art practice. This paper explores computational creativity in the time of ‘deep tech’, from the perspective of posthuman design. Examining how new relations are emergent between humans and algorithms, ethical and philosophical debates come to the fore, such as the rapid uptake of Silicon Valley-esque transhumanism, versus the inclusive and feminist approach taken by posthuman thought. Tracing the organic origins of machine learning in the post-war era, when concepts such as neural networks were transposed from the organic world to the computational, this paper follows computational creativity through to emergent manifestations in the present day. Investigating new systems for generative art such as non-fungible tokens, methods such as machine learning, and techniques such as augmented, extended and virtual reality, this research shines a light on posthuman creativity in a time of deep technology.

Presenters

Rewa Wright
Lecturer in Creative Technology, School of Creative Industries, the University of Newcastle, New South Wales, Australia

Details

Presentation Type

Paper Presentation in a Themed Session

Theme

New Media, Technology and the Arts

KEYWORDS

POSTHUMANISM IN DIGITAL ART, COMPUTATIONAL CREATIVITY, TRANSHUMANISM, NON-FUNGIBLE TOKENS, AR/XR/VR

Digital Media

This presenter hasn’t added media.
Request media and follow this presentation.