Fourteenth International Conference on the Arts in Society

Abstract

Plasticity, in physics, is described as the deformation of a material undergoing non-reversible changes of shape in response to applied force. This concept resonates deeply within my artwork, both conceptually and physically. Individuals constantly (re)create and (re)define their identity by the way of the passing of time and new experiences and relationships. In similar ways my prints go through a change with different degrees of molding, cutting, burning, stretching, sewing, or the application of paint or ink before they become finished pieces. The denotation and connotation of my photo-constructions are always linked to larger narratives and journeys intersecting historical, religious, secular, and/or personal histories where the individual goes through non-reversible changes in response of applied force. In addition to the landscape or place, the body is where personal histories happen – bearing witness to the most transforming of histories for the individual. In this context the body is used as a landscape that is meant to be inhabited and a place where memories/ histories are created – the body is both a vehicle and a destination. Identity is a complex concept, it’s affected by many factors and its ever-changing; when one starts to consider ethnic background, social class, religion, gender, family, values, ethics, and so on, everything gets more complicated. Sometimes one cannot separate one’s identity from the rest, all of them coexist and interact with each other. Such dilemmas and situations are presented in my artwork and explored through mystic, allegoric, and historical references and imagery.