Abstract
There are several techniques of production in the field of ceramics. These different techniques overtime have been categorised under three methods of production which includes; casting, throwing and hand building. Hand building method of production is further broken down into other techniques and they include coiling, slabing and pinching. Ceramic artists find the different hand building techniques to be very interesting, practicable and rewarding. This has encouraged ceramic artist in their various studios at different levels to experiment for further hand building techniques that could be unique and unusual. The “Clay Palm Press” been referred to in this study, is a development from studio experiment in a quest for Uniqueness in conceptual ceramic practise. Clay palm press is a technique that requires no formal tutelage but at the same time, it is not easily comprehensible when viewed. It is a practice of putting semi-solid clay in the palm and inserting a closed fist pressure so as to take the imprint of the human palm. This clay productions from the palm when dried, fired and explored into an art work reveals an absolute awesomeness of what the palm imprint could result in.
Presenters
Jonathan Ebute OkewuPostdoctoral Fellow, Fine Arts and Jewelery, Durban University of Technology, South Africa, Kwazulu-Natal, South Africa
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
KEYWORDS
"Clay Palm Press", " Technique", " Hand Building", " Ceramics"
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