Pearlie Rose S. Baluyut received her B.A., M.A., and Ph.D. in Art History from the University of California, Los Angeles. A two-time Fulbright U.S. Scholar (Student/Faculty Grant), a Ford Foundation Dissertation Fellow, and a Faculty Learning Commun...More
Pearlie Rose S. Baluyut received her B.A., M.A., and Ph.D. in Art History from the University of California, Los Angeles. A two-time Fulbright U.S. Scholar (Student/Faculty Grant), a Ford Foundation Dissertation Fellow, and a Faculty Learning Community Participant through the NEH Humanities Initiative Grant, Baluyut is co-editor of Confrontations, Crossings, and Convergence: Photographs of the Philippines and the United States, 1898-1998 (1998) and author of Institutions and Icons of Patronage: Arts and Culture in the Philippines during the Marcos Years, 1965-1986 (2012). She has taught art history, critical theory, and museum studies at ten institutions in the United States, France, and the Philippines, including the California State University, San Bernardino, the Institutes for American Universities, and the University of Santo Tomas, among others. Before joining the State University of New York at Oneonta as Lecturer of Art History, Baluyut served as Advisor for the Arts at the National Museum of the Philippines and was appointed by the Department of Foreign Affairs as Project Manager/Curator of the Philippines at the Venice Biennale. Currently, she serves as Chair of the College Art Association's International Committee, which oversees various strategic initiatives including the CAA-Getty International Program.
Less
The Arts in Society
