Schedule
207
Sesión de cuestiones técnicas (en directo online/en español)
17:00-17:30 - hora de Lisboa (solo online)
Recepción de bienvenida (en directo/en español)
17:30-18:00 - hora de Lisboa (solo online)
Técnicas y espacios
Sesión asincrónica de acceso permanente
Espacios tecnoestéticos de ficción
Karen Aune, Associate Professor, Design Department, Universidad de Los Andes, Distrito Capital de Bogotá, Colombia
La construcción gráfica de la imagen: Poéticas visuales de lo infraleve
Juanma Torrado Martínez, Student, Doctorando, Facultad de Bellas Artes de Sevilla, Sevilla, Spain
Imágenes urbanas: Propuestas y experiencias desde una interpretación geográfica
Carlos Hugo Soria Cáceres, Profesor Ayudante Doctor, Historia, Geografía y Comunicación, Universidad de Burgos, Burgos, Spain
La imagen del cuerpo en las narrativas publicitarias audiovisuales: El sueño del siglo XXI
Patricia Bernal Maz, Docente-Investigador. Profesora Asociada, Departamento de Comunicación, Pontificia Universidad Javeriana, Distrito Capital de Bogotá, Colombia
Maria Urbanczyk, Profesora Asociada, Departamento de Comunicación, Pontificia Universidad Javeriana, Colombia
Fenómenos culturales
Sesión asincrónica de acceso permanente
La nostalgia como espejo retrovisor: análisis de sentimientos, emociones y resignificaciones sobre "Stranger Things" en Colombia
Edward Goyeneche, Associate Professor - Head of the Audiovisual Communication Department , FACULTAD DE COMUNICACIÓN, UNIVERSIDAD DE LA SABANA, Distrito Capital de Bogotá, Colombia
María Catalina Cruz González, Docente de Tiempo Completo, Facultad de Comunicación Social y Periodismo, Universidad Externado de Colombia, Colombia
Enmascarados: Iconografías para realidades distópicas
Miguel Ángel Rivas Romero, Student, PHD Humanidades, Universidad de Málaga, Málaga, Spain
“Yo soy solo de mí": Bad Bunny y la imagen del Narciso contemporáneo
Adriana Mora, Docente titular, Comunicación Social, Universidad Pontificia Bolivariana, Antioquia, Colombia
Camilo Londoño Hernández, Lecturer, Faculty of Social Communication and Journalism , Universidad Pontificia Bolivariana, Antioquia, Colombia
La imagen de los influencers en las redes sociales
Coral Cenizo, Responsable de Marketing, Departamento de Publicidad y Marketing, Grupo Munreco (Viceroy, Mark Maddox y Sandoz), Madrid, Spain
Mesa de inscripción abierta
8:30AM-9:00AM - hora de Lisboa (Instituto Politécnico de Lisboa)
Inauguración del Congreso (presencial/en inglés)
9:00AM-9:30AM - hora de Lisboa (Instituto Politécnico de Lisboa y online)
Indagaciones artísticas
Sesión asincrónica de acceso permanente
Los orígenes de la negación del espacio tridimensional en la representación pictórica figurativa contemporánea
Jose Antonio Soriano Colchero, Postdoctoral researcher - lecturer, Drawing Department, University of Granada, Granada, Spain
Arte argumental y arte narrativo: La evolución del artista frente a las corrientes filosóficas de su tiempo
Adan Zamarripa, Profesor de Carrera Titular "A", Facultad de Artes y Diseño, Universidad Nacional Autónoma de México, Distrito Federal, Mexico
Recepción estética de la imagen en el arte contemporáneo
Raquel Serrano Tafalla, Student, PhD Student, University of Seville, Sevilla, Spain
La creación artística a través de la pantalla: Imagen y posverdad en las redes sociales
Helena Hernández-Acuaviva, Student, Doctorado en Arte y Patrimonio, Universidad de Sevilla, Sevilla, Spain
Aurea Muñoz-del-Amo, Profesora Titular de Universidad, Departamento de Dibujo, Universidad de Sevilla, Sevilla, Spain
Sesión plenaria (presencial/en inglés) Catarina Moura
9:30AM-10:30AM - hora de Lisboa (Instituto Politécnico de Lisboa y online)
Fotografía
Sesión asincrónica de acceso permanente
Persuasión en la imagen política: Fotoperiodismo y persuasión visual
Pilar Irala-Hortal, Professor, Jalón Ángel Photographic Archive, Universidad San Jorge, Zaragoza, Spain
La fotografía en su circunscripción a la moda
Juan Pablo Méndez Moreno, Docente, Desarrollo de Negocios, Universidad Tecnológica de Chihuahua, Chihuahua, Mexico
Perla Cristina Córdova Villegas, Universidad Tecnológica de Chihuahua, Mexico
La utopía artística: Desarrollo y promoción de la fotografía a través del asociacionismo
Victoria Bonet, Student, PhD Audiovisual Communication and Advertising, Universitat Autonoma de Barcelona - Spain, Barcelona, Spain
Adherencias ideológicas de lo real: La imagen CGI en la tradición de la ontología idealista fotográfica, crisis y alternativas
Vítor Blanco, Student, PhD Candidate, Universitat Pompeu Fabra, Barcelona, Spain
Pósteres
Sesión asincrónica de acceso permanente
Hiperfotografia en el contexto digital: Desarrollo del discurso no lineal en las redes sociales
Marcos García-Ergüín, Full Time Professor, Audiovisual Communication, University of Burgos, Spain
Cinematografía
Sesión asincrónica de acceso permanente
Paraíso, Fe y Esperanza en el cine de Ulrich Seidl: La imagen movimiento como reflejo del capital sexual y el desamor
Maria Medina-Vicent, Lecturer, Department of Philosophy and Sociology, Jaume I University, Castellón, Spain
La imagen mutilada: La censura del cine hollywoodiense en España durante el mesofranquismo
Mª Carmen Cánovas Ortega, Estudiante de doctorado , Historia Contemporánea , Universidad Autónoma de Madrid , Madrid, Spain
Ningún relato era verídico
Sonia Sofia Quintero Villalobos, Student, Doctorado en Estudios Latinoamericanos, Universidad Nacional Autónoma de México, Distrito Federal, Mexico
Almuerzo
12:25PM-13:25PM - hora de Lisboa (Instituto Politécnico de Lisboa)
Representaciones, temas sociales y activismo
Sesión asincrónica de acceso permanente
El impacto de la imagen en los movimientos estudiantiles: Estudio de caso en el nivel superior
Ma. Eugenia Sanchez Ramos, Profesora, UGU450325KY2 Departamento de Estudios Organizacionales , Universidad de Guanajuato , Guanajuato, Mexico
Carmen Dolores Barroso García
Laura Elena Zarate Negrete, Profesor de Tiempo Completo, Departamento de Estudios Oranizacionales, Universidad de Guanajuato UGU 450325 KY2, Guanajuato, Mexico
Imagen, redes sociales y propaganda: Análisis de contenido de los perfiles en Instagram de los principales partidos políticos andaluces
Antonio Pineda, Associate Professor, Audio-Visual Communication and Advertising, University of Seville, Spain
Alberto Hermida, Associate Professor, Department of Audiovisual Communication and Advertising , University of Seville, Spain
Elena Bellido-Pérez, Student, PhD, Universidad de Sevilla, Sevilla, Spain
La representación de las mujeres jóvenes en las redes sociales: El caso del perfil de Instagram de Rocío Quillahuaman
José Luis Torres Martín, Profesor, Comunicación Audiovisual y Publicidad, Universidad de Málaga, Málaga, Spain
Pablo Diaz-Morilla, Profesor, EADE-University of Wales, United Kingdom
Andrea Castro Martínez, Lecturer and researcher, Audiovisual Communication and Public Relations, Universidad de Málaga, Spain
Videoarte, performance y activismo: Una reflexión sobre las reflexivas e intolerables imágenes de Jacques Rancière
Regilene Aparecida Sarzi Ribeiro, Permanent Doctor Professor , Postgraduate Program in Media and Technology, Universidade Estadual Paulista, São Paulo, Brazil
Sofia Sartori Dos Santos, Student, Artes Visuais, UNESP - Universidade Estadual Paulista "Júlio de Mesquita Filho", São Paulo, Brazil
Imagen, religión y espiritualidad
Sesión asincrónica de acceso permanente
El estatuto de la imagen en la cultura musulmana: De lo sagrado a lo profano
Awatef Ketiti, Lecturer of audiovisual communication, Language Theory and Communication Sciences Department, University of Valencia, Valencia, Spain
Imágenes vascas
13:25AM-15:05PM - hora de Lisboa (Instituto Politécnico de Lisboa)
Guerra de imágenes y culturas políticas: El cine del oasis vasco durante la Guerra Civil española
Santiago De Pablo Contreras, Professor, Department of Contemporary History, University of the Basque Country, Álava, Spain
Imagen simbólica y cultura política: Representaciones gráficas sobre autogobierno en el regionalismo y el nacionalismo vascos
Coro Rubio Pobes, Proffesor, Contemporary History Department, University of the Basque Country, Álava, Spain
Imágenes míticas: Héroes americanos en la cultura política de la izquierda nacionalista vasca
Virginia López De Maturana, Associate Professor, Contemporary History, University of the Basque Country, Álava, Spain
Representaciones del Covid19
Sesión asincrónica de acceso permanente
Discurso visual de la muerte por COVID-19: Representación visual de la muerte durante la pandemia y su difusión en los medios de comunicación.
Adriana Barragán Nájera, Coordinadora de Investigación, Investigación, ICONOS, Instituto de Investigación en Comunicación y Cultura, Mexico
Imagen, moda y pandemia: Los derechos de autor sobre la imagen en época de pandemia
Laura Viviana Fernandez Aztisaran, Profesora adjunta, Derecho y Ciencias Sociales, Universidad Argentina de la empresa, Capital federal, Argentina
Pausa para el café
15:05PM-15:20PM - hora de Lisboa (Instituto Politécnico de Lisboa)
Sesión plenaria (en directo/en español) - Carmen Gaona Pisonero
15:20PM-16:20PM - hora de Lisboa (Instituto Politécnico de Lisboa y online)
Sesión plenaria (presencial/en inglés) - Dora Santos-Silva
16:30PM-17:30PM - hora de Lisboa (Instituto Politécnico de Lisboa y online)
Exposición Pop-Up y Recepción de Bienvenida
17:30PM-19:00PM - hora de Lisboa (Instituto Politécnico de Lisboa - solo presencial)
Mesa redonda "Prácticas artísticas y de vídeo durante la pandemia por Covid-19" (en directo/en español)
16:00-17:00 - hora de Lisboa (solo online)
Online Engagement Session (Live)
10 September - 10:00AM CST USA // 16:00PM WEST Lisbon
Online 'Think and Drink' Welcome Reception (Live)
10 September - 11:00AM CST USA // 5:00PM WEST Lisbon
Flickering Windows: Teaching Design through Videoconference
Maria Sieira, Professor, School of Architecture, Pratt Institute, New York, United States
#MemóriasCovid19/ #Covid19Memories: Collecting and Disseminating Testimonies along the COVID 19 Pandemic
Ana Carolina de Moura Delfim Maciel, Researcher, Instituto de Artes, UNICAMP, São Paulo, Brazil
João Felipe Rufatto Ferreira, Student, Undergraduate, UNICAMP (University of Campinas), São Paulo, Brazil
Touch: Reflections on Making - a Crafted Digital Event
Sofie Boons, Craft Council Research Fellow, Centre for Fine Print Research, University of the West of England, United Kingdom
Wuon Gean Ho, Research Associate, Centre for Fine Print Research, University of the West of England, United Kingdom
Niamh Fahy, Research Associate, Centre for Fine Print Research, University of the West of England, United Kingdom
Foreign Travel in Indiana: An Exploration of the Dogma of Photojournalism
Kevin Moloney, Assistant Professor, Center for Emerging Media Design and Development, Ball State University, Indiana, United States
Immersive Experiences in Social Shared Spaces : Audio/Visual Artistic Research in European Immersion Labs
Adnan Hadzi, Associate Professor, Departement of Digital Arts, University of Malta, Msida, Malta
Image in Motion versus Image Implying Motion: Creating Paintings for Stop Motion Animation and Decorative Art
Laura Margulies, Assistant Professor of Animation, Academy of Creative Media, University of Hawaii at Manoa, Hawaii, United States
Images of Covid-19 Graffiti on Instagram: Documenting a Global Pandemic
Ann Graf, Assistant Professor, School of Library and Information Science, Simmons University, Massachusetts, United States
Lessons from Ukiyo-e and Sumi Ink: The Influence of East Asian Art in Architectural Visualization
Saral Surakul, Associate Professor, Lamar Dodd School of Art, The University of Georgia, Georgia, United States
Wealth of Not Seeing: On Interruptions, Voids, and Spaces Between Images
Patrick Ceyssens, Student, Docent Image Analysis, University Hasselt & PXL-MAD School of Arts, Limburg (nl), Belgium
Toon Leën, Student, Doctoral Candidate in Artistic Research, PXL-MAD School of Arts, Belgium
Evoking Visual Sound from Desert Landscapes: A Documentary Look at the Music of Steve Roach
Kurt Lancaster, Professor, Creative Media and Film, Northern Arizona University, School of Communication, Arizona, United States
Cheating Death: The Visual Logic of Pandemic Culture in Playable Media
Eric Freedman, Executive Vice President for Academic Affairs and Provost, Academic Affairs, Truman State University, Armed Forces Americas, United States
Impermanence in the Context of the Amazon Forest
Celia Kinuko Matsunaga Higawa, Associate Professor, Faculty of Communication, University of Brasilia, Distrito Federal, Brazil
Ayana Saito Mira de Carvalho, Student, Bachelor Degree, Universidade de Brasília, Distrito Federal, Brazil
Art and History in Alciato’s Emblemata
Maria Leonor García Da Cruz, Professora Auxiliar, History, Faculdade de Letras da Universidade de Lisboa (FLUL) / School of Arts and Humanities of the University of Lisbon, Lisboa, Portugal
Images of Hope, Images of Heartbreak: Citizens Turn Photojournalists and Other Genres of Witnessing
Kenzie Burchell, Assistant Professor, Arts, Culture and Media, University of Toronto, Ontario, Canada
De-Listed - Reflecting on Species Recovery and Reemergence During the COVID-19 Pandemic
Samantha Earley, Professor, English, Indiana University Southeast, Indiana, United States
Nancy C DeJoy, Associate Professor, Writing, Rhetoric and American Cultures, Michigan State University, Michigan, United States
Redefining Illustrated Portraits Using Augmented Reality (AR) Social Media Filters
Lisa Winstanley, Assistant Professor, School of Art Design and Media, Nanyang Technological University, Singapore
Capturing Distresses: The Invention of the Hysteric through Medical Photography
Katherine Von Wald, Student, PhD, University of California Santa Barbara , California, United States
Who is What or Who?: Seeking the Subject in Photographic Theory
Ann Pegelow Kaplan, Associate Professor, Department of Interdisciplinary Studies, Appalachian State University, North Carolina, United States
Conference Registration Desk Open
13 September - 8:30AM-9:00AM WEST Lisbon (Polytechnic Institute of Lisbon)
Conference Opening and Welcome
13 September - 9:00AM-9:30AM WEST Lisbon (Polytechnic Institute of Lisbon & Online)
Plenary Session: Catarina Moura
13 September - 9:30AM-10:00AM WEST Lisbon (Polytechnic Institute of Lisbon & Online)
Garden Conversation: Catarina Moura
13 September - 10:00AM-10:30AM WEST Lisbon (Polytechnic Institute of Lisbon)
Coffee Break: Room 1
13 September - 10:30AM-10:45AM (Polytechnic Institute of Lisbon)
Seeing Clearly: Room 1
13 September - 10:45AM-12:25PM (Polytechnic Institute of Lisbon)
Seeing through the Kaleidoscope: Lisbon’s Story, Pina, and Wim Wenders’s Visual Aesthetics of Peace
Olivier Delers, Professor of French, LLC, University of Richmond, Virginia, United States
How Are Images Used for Visual Argumentation? : How Do Images Argue Without Logic?
Andreas Schelske, Professor, Institute for Media Economics and Journalism / Department Management, Information, Technology, Jade University of Applied Sciences, Niedersachsen, Germany
“Give Us the Freedom to Smoke, to Dress, to Have Sex, to Run School Affairs”: Oz Magazine as a Sex Education Agent
Ya'ara Gil-Glazer, Senior Lecturer and Head of the Education through Art Program, Department of Education and Department of Multidisciplinary Studies, Tel Hai Academic College, Israel
Memory and Image: The Engine of Creativity
Javier Antón Sancho, Profesor, Proyectos, Teoría e Historia, Universidad de Navarra, Spain
Juan Luis Roquette Rodríguez-Villamil, Professor, TPU Department, Universidad de Navarra, Navarra, Spain
Víctor Larripa Artieda, Profesor, Proyectos, Teoría e Historia, Universidad de Navarra, Spain
Lunch
13 September - 12:25PM-13:25PM (Polytechnic Institute of Lisbon)
Street Heroines: International Women Street Artists and Networks of Social Change
Kristin Moss, Associate Professor, Art, Media, & Design Department/ School of Arts, California State University San Marcos, California, United States
Mapping Patterns of Meaning in Student Usage of Emojis
Megan Lawson, Student, Doctorate, University of Georgia, Georgia, United States
Imágenes vascas (Spanish Language Parallel Session): Room 2
13 September - 13:25AM-15:05PM (Polytechnic Institute of Lisbon)
Developing Dialogue: Room 1
13 September - 13:25PM-16:00PM (Polytechnic Institute of Lisbon)
In Flux - Actor-network Theory, Poetry, and Critical Making: Constructing Poetic Visualizations Across Modalities
Kelsey Dufresne, Student, Phd, North Carolina State University, North Carolina, United States
Cropping the Composition: Exposing How an Interrelationship Between Environmental Toxicity and Economic Insecurity Determines the Mental Health Help-seeking Experiences of Pre-Adolescent Black American Boys
Christopher Ashley Burkett, Assistant Professor, Social Work, California State University, Long Beach, California, United States
Faint, Uncertain, Shimmering: The Magic of Image in Pandemic Days
Paulo Morais-Alexandre, Politécnico de Lisboa
Vanda Maria dos Santos Nascimento, Politécnico de Lisboa
Black and White World: Making Meaning in 2020
Russell Prather, Professor, Department of English, Northern Michigan University, United States
Smithson's Voice and the Yucatán Peninsula
Rose Vickers, Student, Doctor of Philosophy, The University of Sydney, New South Wales, Australia
Closing the Big Divide - Covid-19, Adobe Creative Cloud, and New Curriculum Development : Tools for Writing and Critical Thinking
Sherri Harvey, Lecturer, English and Comparative Literature, Global Studies, San Jose State University, United States
Artists Finding Meaning through Pandemic Images: Meanings of the Pandemic through Photographs
Janet Sternburg, former faculty California Institute of the Arts, Critical Studies, Media Studies, Self, California, United States
Plenary Session & Garden Conversation: Carmen Gaona Pisonero (Spanish)
13 September - 15:20PM-16:20PM WEST Lisbon (Polytechnic Institute of Lisbon & Online)
On the Concept of Style in Aby Warburg: A Dialogue between Philosophy and History of Art
Rossember Alape, Student, Doctor in Philosophy, National University of Colombia, Distrito Capital de Bogotá, Colombia
Duregraph - Exploring Experienced Time Through the Post-photographic Image
David Van Vliet, Lecturer, Department of Communication Design, Auckland University of Technology, Waikato, New Zealand
Marcos Mortensen Steagall, Senior Lecturer, Communication Design, Auckland University of Technology, New Zealand
Visual Metonymy and Text: The Pocket Cartoon and the Establishment of a Multimodal Paradigm in Britain’s Daily Express 1939-1969
James Whitworth, University Teacher, Journalism Studies, University of Sheffield, Sheffield, United Kingdom
Documentary Photography as Vocation: Reflecting on Frank Cancian’s Contribution to the Visual Social Sciences
Brian O'Neill, Postdoctoral Fellow, College of Global Futures, Arizona State University, Arizona, United States
Within and Without: Navigating the Orientalist Fantasy and Hybrid Identity Through the Architectural Settings of Lalla Essaydi, Shirin Neshat, and Hassan Hajjaj
Piper Prolago, Student, Art History and Anthropology, University of Tulsa, Oklahoma, United States
A Documented Pandemic: What Shall We See Next?
Janelle Christine Simmons, CEO, Sole Proprietorship, New York, United States
The Missing Hand of Mark Manders: On How to Have a Conversation With an Exhibition
Sofie Gielis, Docent - PhD, PXL-MAD, PXL / UHasselt, Belgium
Place/ Hybrid Space: An Experiment in Cross-cultural Visual Language
Jon Jicha, Professor Emeritus, School of Art and Design, Western Carolina University, North Carolina, United States
Spaces Changing among Images: A Study of Early Chinese Narrative Pictorial Art
Xiaoxuan Li, Assistant Professor, Fine Arts, College or Arts, Southeast University, Jiangsu, China
Effects of the Use of Avatars on Online Campus Interaction: The Image of Self-representation
Nur Cemelelioglu, Assistant Professor, Graphic Design Program, Faculty of Art and Design, Istanbul, Turkey
Barış Öçal, Research Assistant, Faculty of Art and Design, Yildiz Technical University, Turkey
Ayca Unluer, Associate Professor, Interactive Media Design, Yildiz Technical University, Turkey
Vaccination at the Homebush Corral: What Can We Learn from a Pandemic?
David Julian Cubby, Adjunct Fellow, School of Humanities and Communication Arts, Western Sydney University, New South Wales, Australia
#IAmReal: Saudi Women in the Post-Vision 2030 Era - Mobility, Visibility, and Hyperreality
Rana Jarbou, Social Documentarian, Independent, Saudi Arabia
Coffee Break
13 September - 16:10PM-16:30PM WEST Lisbon (Polytechnic Institute of Lisbon & Online)
Plenary Session: Dora Santos-Silva
13 September - 16:30PM-17:00PM WEST Lisbon (Polytechnic Institute of Lisbon & Online)
Garden Conversation: Dora Santos-Silva
13 September - 17:00PM-17:30PM (Polytechnic Institute of Lisbon)
Welcome Reception & Pop Up Exhibition
13 September - 17:30PM-19:00PM (Polytechnic Institute of Lisbon)
Blended Visual Immersion Day
14 September - 9:00AM - 15:00PM (Polytechnic Institute of Lisbon)
Online Colloquium: The Form of Images and Their Discursive Effects (Live)
14 September - 8:00AM CST USA // 2:00PM WEST Lisbon
The Form of Images and Their Discursive Effects
Schubbach Arno, Lecturer, Institute for Visual Communication, Academy of Art and Design Basel FHNW, Basel-Landschaft (de), Switzerland
Susanne Käser, Researcher, Institute of Visual Communication, Academy of Art and Design Basel FHNW, Basel-Stadt (de), Switzerland
Diehl Viola, Lecturer, Visual Communication Institute, Hochschule für Gestaltung und Kunst, FHNW, Basel-Stadt (de), Switzerland
Kambiz Shafei, Lecturer / Researcher , Visual Communication Institute, Academy of Art and Design FHNW, Basel-Stadt (de), Switzerland
Paloma Lopez Grüninger, Lecturer / Coordinator MA Visual Communication and Iconic Research, Institute Digital Communication Environments, HGK (Academy of Art and Design), University of Applied Sciences FHNW, Basel-Stadt (de), Switzerland
Sandra Bischler, Research associate, Institute Digital Communication Environments, FHNW Academy of Art and Design, Basel, Basel-Stadt (de), Switzerland
Natascha Tümpel, Student, PhD programm, Bauhaus-University Weimar, Thüringen, Germany
Claire Reymond, Senior Researcher, Institute Digital Communication Environments, Academy of Art and Design FHNW, Basel-Stadt (de), Switzerland
Michael Renner, Head of Institute , Visual Communication Institute , FHNW Academy of Art and Design, Switzerland
Humanized Data Revisited: The Issues behind Anthropomorphic Forms of Data-driven Images
Eugene Park, Associate Professor, College of Design, University of Minnesota, Twin Cities, Minnesota, United States
Painted Text
Gizela Horvath, Professor, Arts, Partium Cristian University, Oradea, Bihor, Romania
Spatially-immersive Networked Composites: A Media Archaeology of the Photogrammetric Image through Glitch Practice
Tom Milnes, Lecturer in Fine Art, School of Arts + Media, Plymouth College of Art, United Kingdom
Live-Action, Virtual Reality, and the Production of The Lion King (2019): How Filmmakers Have Enlisted Virtual Reality to Redefine Live-action Film Production and Imagery, and to Bring Their Bodies into the Story World
Nicolette Freeman, Senior Lecturer, VCA School of Film and Television, University of Melbourne, Victoria, Australia
Visualizing COVID-19
Madeleine Sorapure, Teaching Professor, Writing Program, University of California at Santa Barbara, United States
-dividual Monuments: Digital Contrapposto and Figural Politics
Young Tack Oh, Michigan Mellon Design Fellow, Taubman College of Architecture and Urban Planning, University of Michigan, Michigan, United States
Archiving and Recovering the Image: A Project to Improve the Tagging Metadata in the George Floyd and Anti-Racist Street Art Database
Jason Burnett, Student, MA, University of St. Thomas, Minnesota, United States
Art in the Streets in the Context of Quarantine: Covid-19 Street Art
Heather Shirey, Professor, Art History, University of St. Thomas, Minnesota, United States
Worüber man nicht sprechen kann, darüber muss man memen - Whereof One Cannot Speak, Thereof One Must Meme: The Promises, Problems, and Potentialities of Transnational Visual Modes of Communication
Maggie Rosenau, Lecturer, Department of Modern Langauges, University of Colorado Denver, United States
Kelly Drumright, I write and make art, Independent Scholar and Media-maker, Colorado, United States
A 'Disabling' Culture: Perpetuating Social Discrimination through Art and Culture
Berube Patricia, PhD Candidate, Institute for Comparative Studies in Literature, Arts, and Culture, Carleton University, Canada
Online Workshop: The Digital Image as Collective Practice (Live)
14 September - 12:00PM Greenwich Mean Time
The Digital Image as Collective Practice: Speculative Curation of the Borough Road Collection Digital Archive
Theresa Kneppers, Curator, School of Arts and Creative Industries, London South Bank University - Borough Road Gallery, London, City of, United Kingdom
Kelly Rappleye, Student, MA , Goldsmiths, University of London, United Kingdom
Online Focused Discussion: The Images of Peter Eisenman’s Architectural Chronotope
14 September - 9:00AM Chicago / 11:00AM Sao Paulo
The Images of Peter Eisenman’s Architectural Chronotope
Carolina Carvalho, Student, Masters, Universidade Federal do Rio de Janeiro (UFRJ), Rio de Janeiro, Brazil
Online Closing Talking Circle (Live)
14 September - 11:00AM CST USA // 5:00PM WEST Lisbon
The Image and Digital Culture: Understanding the Changing Nature and Role of the Image within Emerging Forms of Human Communication and Interpretation
Thomas Marotta, Lecturer, Creative Industries, University of Technology Sydney (UTS College), New South Wales, Australia
