Abstract
In this twenty-minute video essay presentation, I share examples of how I have used the still image in my practice-base research to document geographically defined anarcho-punk subcultures as both a historical artefact and element of actuality in the moving image editing technique. This technique I argue, helps overcome the reality of ‘absence of presence’ to record historical events which celebrates the technique as a multimodal method to re-present emotive historical context using the still image and recorded diegetic/non-diegetic sound in the creation of intended meaning.
Presenters
Roy WallaceSenior Lecturer, Faculty of Arts Science & Technology, University of Northampton, Northamptonshire, United Kingdom
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
KEYWORDS
Punk anarcho-punk documentary subculture photography ethnography video essay
Digital Media
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