Schedule
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Gleaning and Sharing Knowledge: A Cultural Image of Place through the Relation Between Labour Activities and Local Natural Resources
Paula Reaes Pinto, Assistant Professor and Researcher, Art and Design, CHAIA | School of Arts | University of Évora, Évora, Portugal
Emancipation and Creativity Atlas: The Societal Image of Three Vulnerable Neighbourhoods around Lisbon
Antonio Gorgel Pinto, Assistant Professor and Researcher, Design and Multimedia, IADE, Faculty of Design, Technology and Communication, European University, Lisboa, Portugal
Between the Paintbrush and the Pistol: How an Arms Manufacturer used an Artist to Help Promote the Gun that Won a Country
Kenneth DiMaggio, Professor of Humanities, Capital Community College, District of Columbia, United States
On the Apocali: Making Culture about a Future of Multi-Tiered Dangers
Finn Harvor, Associate Professor, English Interpretation and Translation, Hankuk University of Foreign Studies, Seoul Teugbyeolsi [Seoul-T'ukpyolshi], South Korea
Photovoice: Shining a Light on the Lived Experience of Aged Care
Evonne Miller, Professor of Design Psychology, Creative Industries, Queensland University of Technology, Brisbane, Australia, Australia
The Visual Politics of Memetic Participation: A Case of East Asia
Minhyoung Kim, Associate Professor, Hankuk University of Foreign Studies, South Korea
Tarantino-Visual Language, Western: The Hateful Eight
H. Hale Künüçen, Professor, Department of Radio-TV and Cinema, Faculty of Communication, Baskent University, Ankara, Turkey
On Becoming Ho : It's Not Just a Film
Arpit Gaind, Student, Ph.D., University of California, Los Angeles (UCLA), California, United States
Rediscovering Science Fiction Films through Data Visualization
Nur Cemelelioglu, Assistant Professor, Graphic Design Program, Faculty of Art and Design, Istanbul, Turkey
Visual Encounters: More-than-representation in Art, Design and Media
Kim Snepvangers, Adjunct Professor, Faculty of Education, Southern Cross University, Queensland, Australia
Arianne Rourke, Associate Professor, UNSW Art & Design, Australia
Gendered Urbanities: Understanding City Experiences of Women through Street Art in Delhi
Paridhi Gupta, PhD Researcher, Centre for Women's Studies, Jawaharlal Nehru University, India
The Perseverance of the Still Photographic Image
David Julian Cubby, Adjunct Fellow, School of Humanities and Communication Arts, Western Sydney University, New South Wales, Australia
Pedagogies in the Visual Domain: Visualising Authorship
Arianne Rourke, Associate Professor, UNSW Art & Design, Australia
Vaughan Rees, Associate Dean, UNSW Art & Design, Australia
Kim Snepvangers, Adjunct Professor, Faculty of Education, Southern Cross University, Queensland, Australia
The Absent Presence
Cedric van Eenoo, Artist, New York City, United States
Utilising ePortfolios as a Tertiary e-Learning Tool for Students to Visually Express Their Understanding
Annabelle Lewer-Fletcher, Sessional Academic and Course Convener, Art & Design, University of New South Wales
Arianne Rourke, Associate Professor, Faculty of Art & Design, University of New South Wales
Framing Ourselves: Selfie Portraiture and Big Data
Ann Pegelow Kaplan, Associate Professor, Department of Interdisciplinary Studies, Appalachian State University, North Carolina, United States
Art of Recovery: Migrant Imaginaries
Emma Rose, Professor, Lancaster Institute for Contemporary Arts, Lancaster University, United Kingdom
Macarena Rioseco
In Time: Exploring Illusion and the Photograph as a Phenomenology of Perception
Enrico Scotece, Lecturer, Photomedia (Design/ Visual Communication/ and Photojournalism), Western Sydney University, Australia
Evaluating Attitudes : Mark Rothko and the Ethical Criticism of Art
Christopher Trogan, Professor, Interdisciplinary Studies, New York University - Gallatin School of Individualized Study, New York, United States
Beyond the Literal Voice: Creative Image Making Methods
Chen Wang, Professor, Graphic & Interactive Design, California State University, United States
Visual Literacy in the Digital Age
Siu Challons-Lipton, Executive Director and Professor of Art History, Department of Art, Design and Music, Queens Univeristy of Charlotte, North Carolina, United States
A Transformative Approach to Meaningful Interaction in the Visual Arts
Meg Lomm, PhD Researcher, Art and Design Faculty, University of New South Wales, Australia
Images in the Production Process of Cyber Physical Systems
Andreas Schelske, Professor, Institute for Media Economics and Journalism / Department Management, Information, Technology, Jade University of Applied Sciences, Niedersachsen, Germany
The Art of Apocalypse: A Blakean Take on Some Contemporary Painting
Russell Prather, Professor, Department of English, Northern Michigan University, United States
