Muslim Epistemology and Hermeneutics: Shibli Nomani's Contributions to the Intersection of Religion and Science

Abstract

This paper examines the contribution of early modern Indian Muslim scholars, particularly Shibli Nomani, to the arts and aesthetics in the Muslim world. The research question is: How did Shibli Nomani approach the integration of art and aesthetics in Islamic thought, and what effect did his discourse have on the compatibility of religion and science in the Muslim world? During the early modern period, Muslim scholars faced a significant challenge to their traditional Islamic beliefs due to the growing influence of Western science and philosophy. The arrival of colonial powers in the Indian subcontinent brought with it a new worldview that challenged the traditional Islamic understanding. The clash between religious and scientific knowledge led to a debate among Muslims about the compatibility of Islamic thought with science. Shibli was a philosopher, historian, and theologian who contributed to the integration of art and aesthetics in the Muslim world. His approach was not limited to theory. Shibli attempted to integrate the arts and aesthetics into Islamic thought and emphasized the importance of considering diverse perspectives. Shibli’s approach to art and aesthetics in the Muslim world has contemporary relevance. In the modern era, Muslim societies are facing new challenges that require a deeper understanding of the cultural and intellectual heritage of Islam. The integration of arts and aesthetics into Islamic thought can provide a unique perspective that highlights the importance of considering diverse perspectives and developing a broader understanding. Shibli’s approach encourages scholars to reexamine traditional concepts, theories, and practices.

Presenters

Younus Muhammad
Lecturer, Iqbal International Isntitute for Research and Dialogue, International Islamic University, Islamabad, Pakistan

Details

Presentation Type

Paper Presentation in a Themed Session

Theme

2023 Special Focus—Religion in the Public Sphere: From the Ancient Years to the Post-Modern Era

KEYWORDS

Arts and Aesthetics, Darwinian Theory of Evolution, Reformist Muslim Mind