Abstract
Our paper explores the process of identity construction and identity narratives in Gulf States through the lens of graffiti and street art. Drawing on case studies from Saudi Arabia and Qatar, it explores in particular the question of identity representation. It emphasises the way graffiti – and more broadly, creative practice – contributes to changing stereotypes and traditional mindsets, as well as shaping representations with respect to modern Muslim identities, especially those of young women. It argues that graffiti and street art in conservative Muslim States, while still minimally visible, plays an important role for women’s empowerment and can be therefore a significant tool for reform in the area of human rights. At the same time, Gulf States are increasingly interested in promoting commissioned street art, especially by women artists, not only as a cultural heritage strategy but also as strategy of cultural branding, enhancing their profile as open and culturally diverse.
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
KEYWORDS
Graffiti, Street art, Human Rights, Artistic freedom, Qatar, Saudi Arabia
