Abstract
This paper seeks to examine how cybernetics operates on movies adapted from fairytales and a deconstructionist analysis of the successful feedback mechanism. Fairytale holds a special position as an identity marker and a cultural heritage. Originating amidst a rural context, it is quite intriguing to witness a fairytale transformed into a movie, which is itself a result of urbanisation. Its universality and applicability for a wide spectatorship calls for a deeper analysis of the system under which it propagates. This shows a way of creating and transmitting these valuable tales with integrity.
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
2020 Special Focus—Reflecting on Community Building: Ways of Creating and Transmitting Heritage
KEYWORDS
Fairytales and Movies, Popular Culture, Cybernetics, Deconstruction
Digital Media
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