Eighteenth International Conference on New Directions in the Humanities

Abstract

The use of “borrowed” materials and designs in the history of art, and especially in music, is well-documented and honored. In the past, such quotations or paraphrases were viewed as homage, as often was the case in theme and variation models. Nonetheless, more recent uses of materials, particularly with the advent of sampling technique and arrangements of pieces from other cultures, have raised issues of the need not only for attribution, but also for a deeper discussion regarding cultural appropriation. This paper presents the issues involved in the modern polemic between homage and appropriation in music, addresses the challenges these issues present to artistic conversations between cultures, and posits guidelines whereby these conversations and interactions may be honorably encouraged. Synergy and conscious influence are discussed as meaningful pathways to enhancing future directions in art (specifically music) through a suggested model.