Fourteenth International Conference on Design Principles & Practices

Abstract

This paper examines the messages that objects can communicate in relation to cultural memory at the thresholds of art and fashion. Drawing on a number of collaborative interdisciplinary practice-based projects, it investigates the interface that occurs between craft and taste across a range of methods and materials. In particular, this research positions this work as boundary objects (Star and Griesemer, 1989) to provide fresh insights into issues of identity, gender, and values through questioning the nature and form of objects, both in their construction and embodiment. Using research through design methods (Frayling, 1993), these projects seek to create new dialogues that transform everyday objects and challenge dress codes to provide alternative understandings of cultural expression. At a time when identities are considered to be more fluid than ever, not least in relation to social media and the performative possibilities of alter-egos and avatars, the work also investigates the notion of the body as a canvas, testing ideas concerning text and hidden messages within garments and how these are visually communicated. Key to this approach is how narratives can be supported through the application of symbolism, contours, colour, layering, lines, patchwork, and intuitive forms. This paper then explores why certain stories resonate through these means before presenting a discussion on the role of visible narratives at the intersection of art, culture, and fashion.