Nineteenth International Conference on the Arts in Society

Abstract

The traditional methods of natural color, evident in the Phu Tai community in Thailand and Batik practices, exhibit similarities influenced by Southeast Asian values, particularly in shaping community identity. This research delves into cross-cultural approaches in natural color combination, aiming to seamlessly integrate traditional methods into sustainable textile product development. Specifically, the focus is on the pattern identity of Thailand and Indonesia within the Phu Tai Ethnic group’s interpretation of nature, examining the Praewa Queen silk pattern (Thai identity) and Javanese Batik style (Indonesian identity). The research methodology involves experimenting with natural transformations, interpretation, and similarization, rooted in the local community’s beliefs. This study explores opportunities to enhance Northeastern Thailand’s communities, making them attractive for living, working, and investing. Emphasizing heritage and traditions, the research starts with assessing the influence of rural communities on cultural heritage and their impact on the creative sector. Surveys and data collection within Phu Tai communities in Mukdahan, Thailand, and the Nitik batik methods from Bantul Regency, Yogyakarta, form the research methodology. Beyond cultural and community aspects, the study addresses religious ceremonies creating a demand for art. It aims to augment traditional practices alongside creative cultural methods for harmonizing traditional identity. Additionally, the research plans experiments to understand tradition’s influence on innovation, exploring connections between sustainability and tradition in relation to design thinking within the local community’s cultural approaches.